Sekvenca

The story of Jasna, a Croatian ex-pat who, due to her mother Anka's declining health, is forced to return to a place she has been avoiding most of her life - her home. The two haven't been in touch for years, but the proximity of death forces them to confront the ghosts of their past. It is also a portrait of life in a typical small town in the midst of Mediterranean hinterland. Plunging into the anxieties of the community, MATER subtly uncovers class, status, and gender issues that shape Anka's and Jasna's personalities - their stubbornness, strength, and tragic flaws.

The story of Tiny Tim’s improbable rise to stardom is the ultimate fairytale - and so is that of his downfall. For a brief time, the shy and truly unusual outsider artist was the biggest star in the world.

Sanela, a Montenegrin of Muslim background who left the former Yugoslavia in the 1990s after her father was kidnapped and killed alongside other Muslims, comes back to the Balkans after twenty years abroad. She has betrayed her origins, erased her own culture, and become a true Westerner. They say the past is a foreign land and that the one who departs and the one who returns are not the same person.

6 types of fruit are left on a kitchen table by a man who then closes the shutters and leaves. However, a solitary ray of sun breaks through a crack, illuminating only oranges. The rest of the fruit is not so happy about that.

Sarajevo, rush hour. Emir (15), accompanied by a social worker, is on his way to meet his father Safet for a weekend picnic at Igman, a semi-open penitentiary. Due to the heavy traffic they are late...

Frano, a film director, is preparing his debut feature, which will focus on women affected by the collapse of the textile industry in the region. The topic, as well as the main character, is inspired by his aunt who used to work in the industry. In order to find the star of the film, he invites three esteemed actresses to his apartment for an informal reading rehearsal. However, as soon as they realise they are competing against each other for the lead role, things take an unexpected turn.

She watches him through the window as he loads the final pieces of furniture into the truck. They are counting down the last hours in their home. Their seven-month-old baby is asleep, unaware of the trouble brewing. They will either vacate the apartment peacefully, or they will be forcefully evicted. Their home, her father's legacy, used to be their safe haven, their family nest. Now, corrupt courts, greedy bankers, and unscrupulous real estate investors have turned it into a site of their worst nightmares. As tension rise, they struggle to preserve their relationship. In the morning, as police knocks on their door, their future seems uncertain, but their options are very clear: either accept injustice or show resistance.

Mr. & Mrs. Lovett live out their (sex) lives in full public view in front of a permanently connected webcam, which frames their spartan living room like a human aquarium. This is all we see of their lives - but it's not so little after all. The young couple are driven business people, and they flirt, strip and screw for the benefit of the camera and the customers on the receiving end. The Croatian filmmaker Igor Bezinovic has created a surreal and funny take on a piece of avant-garde 'adult entertainment' from one of the internet's seedy corners. But he also documents a performance culture, which dissolves the boundaries between the private and public spheres and a parallel economy of images. A hedonistic and thoroughly commercialised culture, where supply and demand have taken on an entirely new and absurd meaning.