Mecenazgo Cultural

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

A successful transgender actress and her lawyer husband decide to adopt a child, defying the conservative community in Argentina. But their attempt for a domestic happiness is thwarted when they visit the actress's hometown.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

It is an approach to the figure of Fernando Martín Peña, but it is also a film about cinema, about a transcendental movement in its history, its spaces and rituals.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

Mariano and Juan have been dating for several years; they have a dog and a quiet life. Mariano always wanted to have a small plant nursery away from the city and now that Juan’s work as a writer is more established due to the success of his latest novel, they decide to make that change. While they adjust to their new space and their new routines, they receive a visit from Juan's best friend, who has news to tell them.

Miranda is a 48-year-old teacher who changes her perspective on life when she hears reports of harassment and abuse from the students at the school where she teaches. Over the weekend she will decide that it's time to hear her voice and make it heard along with many others.

Colegio Nacional de Buenos Aires must elect a new school principal, and the students want to be a part of the decision. The school, in a state of permanent conflict, tries to resolve its disputes while a new wave of feminism percolates through the cracks of the building.

Between January 2019 and May 2020, Adriana Lestido undertook a journey, without company or assistance, through the Arctic Circle and the Svalbard Islands, a frigid and inhospitable region shared by Norway and Iceland. During those months, Argentine photography recorded, in all its splendor, a still unknown ecosystem.

Érica struggles to build a new life with her young daughter, Flor, but everything is threatened when Pedro, her ex-partner and Flor's father, is released from prison after three years. At first, everything seems fine, but the fragility is shattered when Pedro can't control his dark impulses, unleashing a family turmoil.

Cecilia is too afraid one night to let her housekeeper's son into the house. The next day his dead body is found.

Pablo, professor at the University of Buenos Aires, has an affair with Luciana, one of his students. Natalia, another professor at the University of Buenos Aires starts an affair with her student Gonzalo. Two stories, as two sides of the same coin.

Dealing with a series of increasingly absurd situations and relationships, recently separated yoga instructors Gustavo and Vanesa are finding it difficult to live apart. Their challenges include meddling mothers, amnesiac students, and burgeoning romances. Step by step, they find their way back to the practice.

Greta and Bruno, her husband, struggle with grief after the disappearance of their son. Their friend Sina travels to the coast to help them sell their summer house.

David, a young middle-class Jewish boy, overweight, homosexual and afraid of flying, returns to Buenos Aires from Europe when his uncle dies. During his time there, David learns that his mother has decided to disconnect his father from the ventilator.

Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.

In the mid-1950s, Sara Facio burst into the world of photography. A tireless precursor, a photographer with a unique gaze, an audacious photojournalist, with the camera on her back, “was there” whenever she wanted.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.