Mecenazgo Cultural

On the eve of the 2001 outbreak, Natalia falls madly in love with her lifelong friend Diego. The romance is interrupted when he meets the more experienced Silvia. With the help of her grandma Rita, Natalia decides to call on incantations and curses to jinx Diego and Silvia's blossoming relationship.

Érica struggles to build a new life with her young daughter, Flor, but everything is threatened when Pedro, her ex-partner and Flor's father, is released from prison after three years. At first, everything seems fine, but the fragility is shattered when Pedro can't control his dark impulses, unleashing a family turmoil.

Pablo, professor at the University of Buenos Aires, has an affair with Luciana, one of his students. Natalia, another professor at the University of Buenos Aires starts an affair with her student Gonzalo. Two stories, as two sides of the same coin.

An atmospheric chronicle of the 2001 crisis in Argentina, a political, economic, and social uprising fueled by the "Let them all go!" revolt. The film reconstructs this moment using restored archival footage, capturing the spontaneity of the protests and the political instability that led to the resignation of five presidents. Through television footage, it immerses the viewer in a real-time experience of this crucial period in Argentine history.

A successful transgender actress and her lawyer husband decide to adopt a child, defying the conservative community in Argentina. But their attempt for a domestic happiness is thwarted when they visit the actress's hometown.

Emi lives with his adoptive parents in the suburbs of Buenos Aires. He is trying to find a job to cover his expenses and, at the same time, beginning a search for his biological parents. Over time, he will find work at a repair shop and start associating with both his employer and his family. However, this is no coincidence.

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

Dealing with a series of increasingly absurd situations and relationships, recently separated yoga instructors Gustavo and Vanesa are finding it difficult to live apart. Their challenges include meddling mothers, amnesiac students, and burgeoning romances. Step by step, they find their way back to the practice.

Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.

A woman finds new meaning in her life after her housekeeper quits her job.

A young artist must move with his mother to an island, where there are only one hundred inhabitants. Your imagination, harmony with nature and love will be the keys to finding your identity on this path to adulthood that you have to go through.

With her girlfriend lying comatose in the hospital, after having found her lifeless body in the bathtub, Clara starts the path of physical and psychological transformation with the goal of possessing her girlfriend again in some way.

David, a young middle-class Jewish boy, overweight, homosexual and afraid of flying, returns to Buenos Aires from Europe when his uncle dies. During his time there, David learns that his mother has decided to disconnect his father from the ventilator.

This film explores the perception of Lisandro, a 16-year-old boy who is on the autistic spectrum. His mother, Valentina, an actress, has raised him between backstages and dressing rooms. Is there any difference for him between reality and fiction?

Mariano and Juan have been dating for several years; they have a dog and a quiet life. Mariano always wanted to have a small plant nursery away from the city and now that Juan’s work as a writer is more established due to the success of his latest novel, they decide to make that change. While they adjust to their new space and their new routines, they receive a visit from Juan's best friend, who has news to tell them.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

Vanina is a single mother in Argentina in 2001. She lives at home with her parents, and her job is threatened by the economic crisis. A chance encounter with an old friend reconnects Vanina with the adventures and memories of her youth.