Filmograph

Mércedès, an actress from Paris attempts to break off a difficult relationship with the jealous and possessive stalker Johnny. She meets newspaper writer Pierre and goes with him for an afternoon fling. Before the sweat even dries, she finds herself hopelessly in love with him. But soon after their affair begins, he is called off on a business trip leaving the suddenly distraught Mércedès alone. Though preparing for a new play, she is unable to concentrate and barely able to function. Mércedès quits the production, locks herself in Pierre's apartment and quietly begins falling apart, collapsing into a bleak, reclusive madness until his return.

Pierre and Paul, journalist and writer respectively, team up to write a screenplay based on the real story of a young woman accused by her uncle of trying to kill him. They decide to meet her.

Fed up with the sea, Paul, a Swiss mechanic working in the noisy bowels of a merchant ship, lands in Lisbon.

Paul has left his wife and children. Now his wife and ex-mistress is on the hunt for him.

It’s December 1999, and 25-year-old Jonah has just graduated from film school. As the new millennium begins, Jonah marries his longtime sweetheart Lila. Over the course of six months, the couple meet a number of interesting people, including Irina, an exiled Russian actress, as well as spending their time with Jonah’s sister Cecile and his filmmaking mentor Anziano. The discussions Jonah has with these friends and strangers help him to gain some perspective on his life and the new millennium.

The efforts of an aspiring filmmaker to include an unwilling woman in his production.

Writer Paul attempts to interview Rosemonde, a young woman who killed an alleged rapist in self-defense six years prior, for a true crime television program. When Rosemonde refuses to divulge details of the events, Paul encourages his actress girlfriend to befriend her, but the three are repeatedly sidetracked from their initial commission.