Laranja Azul

At an old manor house in northern Portugal, Ana helps her friend, Emília, the elderly housekeeper who is determined to continue to keep the unoccupied house in order for the owners who are never there. As the seasons turn, Mónica, Ana's daughter, challenges her mother's choices and the three generations of women search to understand where they belong in a world that is rapidly fading, where the cycle of life is renovated only through inevitable endings.

'One day I realized it no longer made sense to make things to hang on walls'... Lourdes Castro became known as the artist 'who took care of shadows'. Throughout her international career as an artist, Lourdes developed the concept of shadow, giving it different forms and finally reducing it to the minimum and dematerializing it. She has lived in Munich, Berlin and Paris, but 40 years ago she decided to return to Madeira, her birth place, where she has lived ever since 'in the shadows'. 'What is Lourdes 'taking care of' nowadays?

1979. Flicking through pictures from a Soviet magazine, 15-year-old Martim dreams of building a new society. His radical communist parents send him to study at Astrakan for one year. In her new film, Catarina Mourão captures with tremendous precision the moment a middle-aged man passes his story on to his son, thus shedding the taboo of his ineffable experience.

Every family has its secrets, the family of Portuguese filmmaker Mourão included. As the granddaughter of the well-known writer Tomaz de Figueiredo, she picks apart several of them in an intimate yet universally meaningful way. As such, her film also becomes a portrait of dictatorship and resistance and of the urge to create art.

"I was born beneath this water. I was 10 years old when it all happened. Some things I remember well, others are blurred and confused. People change address, new churches are built, new bakeries, houses and streets ... But in this case, everything changed at the same time. Perhaps it was a way of pretending that nothing moved at all." During six years the makers shot this film in Luz Village (Portugal), condemned to disappear beneath the waters of the Alqueva dam. Especially for this project, a new village was constructed. But the forced migration does not pass very smoothly, since existing social structures, as well as the unique relation with nature are being disturbed. Combining these images with stories told by children who recollect their life during the moving process, this documentary presents the strange story of this village.

A documentary about Álvaro Siza Vieira in Cape Verde and his project to restore the old town of Ribeira Grande, the first city to be built by the Portuguese in Cape Verde on the island of Santiago in 1462.

Documentary about the artistic creation in Cape Verde, with the director following, during the preparation of one of the editions of the Mindelact festival, the rehearsals and backstage of the artists. It focuses on the birth and discussion of ideas in groups, looking for ways to express a new identity. The strength of Orlando Pantera stands out, whose premature death at the age of 33 took out of Cape Verde one of the most promising creators of recent times.

A film about the process of artisanal making of silk. In the beginning of the filme Teresa Frade, the main character, tries to find the leaves for the newborn silkworms.

Houses to sell…houses to live in…houses to fill and die in… Mr. António Carlos works in a real estates agency, he is pressurized daily by his superiors to close contracts and bring profit to the company. Joana, a single mother, and her baby, Joaquim, are moving house hoping for a different life. Mr. Pinto has an old-fashioned removal company and his days are spent waiting for the phone to ring, but there isn’t much work and when finally work shows up it always hides a surprise. Three stories set in Oporto, Portugal, about people, houses, and restless lonely urban lives.

This film is about two Ukrainians cousins: Sergey and Eduard, who are illegal immigrants in Portugal. They work as construction workers in the outskirts of Lisbon. The two of them share a converted garage with three others illegal Ukrainian immigrants. Their life in the garage is very basic and dull, but their inner life is full of contradictory feelings and nostalgia. The film describes their final months in voluntary exile, when yearning for home becomes more acute while the question of prolonging their stay arises. Finally, they leave Portugal and the film follows their first days in their own country. What kind of dreams can give them the strength to live and survive in these inhuman conditions in a faraway land?

The painter Ana Marchand always felt a bit dislocated in her family. The love of art and travel, where did she get those from? As a young woman she saw a travel book written by her uncle Maurizio Piscicelli and finally understood. Catarina Mourão follows Ana’s familiar and spiritual journey. Who was Maurizio? Who is Ana? The face of one, the face of the other. Reincarnation are the several lives we live.

In the Summer of 2004, I traveled across Portugal to shoot my project: a road-movie about a country that can be crossed in six hours from north to south and just one hour and a half from east to west. The landscape I passed through was the post-Euro 2004 Portugal, with the provisional government of Santana Lopes about to take office. It is a country that still seems like the idea we all have of "our homeland", but which actually no longer corresponds to reality and is becoming almost unrecognizable, as in a postcard.