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Days of Madness portray an incredible odyssey of two mentally diverse and unjustly rejected people who are learning to accept it, faced with the blindness of the society and the health system that made them addicts.

A comedy documentary about the search for happiness. The Italian astrologist Lucciana can alter the destinies of people. On their birthdays they have to travel to whatever location on Earth has the ideal constellation of planets over it. They will be reborn on that day and so be able to change their nature. On the one hand, the film follows the everyday (and unchanging) life of the fortune-teller who changes the lives of people while, on the other hand, it follows five protagonists who set out to various places in the world in order to change their lives.

Stefan reunites with his family to celebrate his grandmother's birthday for the first time after his mother's recent passing. This homecoming, driven by his urge to complete a film about his mother and an attempt to make amends by rescuing a stray dog, will ignite an introspective journey for Stefan. Inspired by the director's real-life experiences and starring his actual family members in a mission to complete a lake house and a film, this is an intimate cinematic exploration of the timeless mother-son relationship.

"Barbarians" is a teenage drama about coming of age in a world where there is no opportunity. A portrait of a young generation growing up in a society of lost values.

A semi-fictional correspondence between two women: one goes to Iran in 1979 to topple the Shah; the other experiences the onerous years of Ceaușescu’s Romania. Their biographies run in parallel via images of everyday life and videograms of revolution.

Through dramatic reconstruction and documentary asides, the spirit of Italian poet, playwright, journalist, aristocrat and army officer Gabriele D’Annunzio is captured, presenting the nascent fascism in his attempts to forge a new state in the aftermath of the First World War.

The Museum of the Revolution in Belgrade is actually a building that remained unfinished for 60 years and 'inhabited' only by the homeless and marginalized. The director observes the precarious (but proud) daily life of a girl and her mother around the symbolic ruins of a utopia.

Croatia, 1991. Two sisters prepare a special homecoming for their father on the day he’s set to return after three months as a prisoner of war.

"Srbenka" is a film about peer violence toward children of different nationality in Croatia. It examines how the generation born after the war copes with the dark shadows of history.

A sequel to omnibus "Zagreb Stories" tells about love and families in present-day Zagreb.

“Mezostajun” is an experimental documentary film, exploring spatiotemporal relations in a Mediterranean city in which the role of city’s public spaces in people’s lives varies greatly, depending on the season of the year. Elements of summer and winter are cinematically interlaced, and create in the viewers’ perception a new existential interspace called ‘’mezostajun’’.

Matchmaker Nediljko Babic, also known as "Gangster", helps a Bulgarian single mother find a new husband in Croatia. But a series of comically disastrous dates discloses the true nature of conservative Croatian men: they would rather die alone than marry a foreigner with a child.

On the island where the filmmaker’s grandmother is buried, it is the tradition of women to choose the image that will represent them on their grave after they are gone. As director Sara Jurinčić and her mother travel to this island, we enter a world without men, where female ancestors take centre stage. This beautifully crafted film, both playful and serious, takes us on a cinematic odyssey to hear what the ancestors are whispering from their silent portraits.

How many imaginary deathly diseases can you have before you die from fear and anxiety? This short documentary answers this question by trying to show the surreal world its protagonists are living in.

Babajanja is a short essay documentary with horror elements. Going back to the past, the narrator is trying to find the mysterious woman he was scared of as a boy. Rummaging across his memories, dreams and forgotten horror films, he is trying to find out who she is and where she is today. He includes his family, relatives, fellow villagers in his investigation – no one is particularly keen on helping, but gathering more and more information about her, the narrator is getting closer to finally meeting her.

A poetic documentary about the lost film culture in the small villages on the Croatian islands during the SFR of Yugoslavia.

Three young friends from Belgrade drive from New York to Los Angeles in a Yugo – a cult relic of a car from the 1980s. A docu-comedy and a road trip with many unexpected encounters.

In 1974 communist authorities built the so-called ‘Memorial Home for WWII Resistance Fighters and Youth of Yugoslavia’ in Kumrovec, a tiny rural hometown of the legendary president Marshal Tito. In 1991, when Yugoslavia collapsed 11 years after Tito’s death and the Croatian War of Independence started, the Memorial Home was closed, and it remained closed until today. Several attempts to repurpose the building have failed. Still, some fighters remain...

Even after more than 25 years since the dreadful war crimes had been taking place in former Yugoslavia, this tragic history is far from over – be it for the victims’ families, conflicting nations or for a Czech investigator who comes back to the region to carry on in his work after so many years. The documentary return voyage follows not only the paths of fleeing war criminals, but is driven by an effort to capture a part of the ethic mission of the then newly formed International Criminal Court in The Hague along, in its double nature: based on an independent investigation of war crimes, to strive for reconciliation in cases of multifarious ethnic, national and other conflicts.

Learning to Walk 2 offers a portrait of the legendary animator Borivoj Dovniković Bordo through a long period of the artist's life, witnessing challenging social and political upheavals, focusing on those moments in which the artist himself becomes, in a way, his own main character. Through a combination of Bordo's animated works, comics and caricatures, this film seeks to speak about the freedom of creativity and seeks an answer to the eternal question: is there a systematic environment in which we truly and truly walk or do we walk lamely, as Bordo's universal hero does.