Luksuz DZMP

An Irishman finds out he is part Slovene and also Japanese. On the way to coming closer to his roots and finding out his family's heritage the man faces the rough reality.

Špela (26), who has undergone chemotherapy due to lymphatic cancer, and her friend Hannah (26) are casually socializing in Špela’s college dormitory room. Through their conversation, we become aware of our own fragility and insecurities, even when it comes to the most mundane matters, such as visual appearance.

Returning from prison, Peter falls into debt pursuing a relationship with the prostitute Ana and her pimp Gringo. To pay back the money owed, Peter proposes that Ana and Gringo visit his father with him. They accept his proposal, thinking they might trick some money out of the old mountaineer with a story about Ana's upcoming marriage to Peter (with Gringo as the best man). During the long and colorful journey the three become friends and complicit in the deception. Peter's father, though, instantly recognizes the scam and steals the bride from his incompetent son. Gringo is happy with this turn of events but Peter is irritated by it. However, the father's sudden death before the registrar prevents Ana and Gringo from inheriting. When the dreams of material wealth vanish, what is left is the love between Ana and Peter, and the friendship that struck up between the three, so much so that at the end Gringo sacrifices himself for the couple's happiness.

A wild man in wilderness is nothing extraordinary, it is something easily imagined. But how to live in wilderness as an urban, civilised person? How to strike a balance between harmony with nature and participation in the society – without fear, cynicism, regret, frustration? How to retain your dignity in difference? How to live with less without any sacrifice? This is a story of a man who has taken fate into his own hands, radically reducing his dependence on dispensable essential material possessions of the modern society without cutting off his participation in it. This is a story of Nara, Nara Petrovič – Human.

Babsi Adler is a magnificent character that represents the Slovenian drag scene. This short portrait documentary is built through a Halloween night with Babsi and their surroundings. In a conversation with a friend Babsi is open to share their personal thoughts and struggles.

In the Year of Hip Hop takes a retrospective look at the Slovenian hip hop/rap music scene. Boris Petkovič explores in great detail the evolution of a music style which, from the very start, has intimately reflected the social situation of its artists. Hip hop has always absorbed the "vibes" of the place where it is taking root, and Slovenia is no exception. According to Petkovič, in today's Slovenia, rap is the one and only form of music that discusses the state of our society and of human relationships without any inhibitions. If rap is not your cup of tea, this film can make you change your mind.

The film presents an authentic experience of Palestinian children and parents upon their arrival to Slovenia as a part of the humanitarian project Rehabilitation of Children, Victims of War from Gaza. The focus is on Baylasan, aged 7, and her mother Amal, with their shared wish: that Baylasan could walk like other children.

Video made by Izvanredni Bob with my GoPro Hero3 Black + during the international documentary film workshop in Ptuj (Slovenia) organised by DZMP Krško.

Short reportage on LGBT scene of Krško.

Rainbow eye-shadow palette. A blond woman tells of her childhood in Yugoslavia, when in the eyes of others she was still a boy. Sessions with psychiatrists, compulsory military service, the school environment, her mother and religion – none of these have shaken her belief that she had been born in the wrong body.