The Public Theater (Oskar Eustis, Artistic Director; Patrick Willingham, Executive Director)

A new documentary play crafted from firsthand interviews with New York City medical first responders during the COVID-19 pandemic. The Line cuts through the media and political noise to reveal the lived experiences of frontline medical workers in New York and their battle to save lives in a system built to serve the bottom line.

Experience Shakespeare’s comedic masterpiece from the Public Theater’s Shakespeare in the Park. Set in South Harlem, the play tells the story of the trickster Falstaff and the wily wives who outwit him in a celebration of Black joy, laughter and vitality.

A Black family grapples with decades of inequality, violence, and suppression in the South. Benny, an orderly at a nursing home, delicately balances his role as a caregiver to an ornery white resident who shares a contentious past with his white boss while at the same time caring for his own family as the fight for equality grips the nation in the midst of the 1960s Civil Rights Movement. Thirty years later, his daughter, Ruby, struggles to understand an incident of police brutality against her 15-year-old son. This unique musical, spanning nearly half a century and three generations, asks us to contemplate the cycle of violence in this country and how we will find hope and create change against the backdrop of hate that plagues America.

This bold interpretation of Shakespeare’s comedic masterpiece features Danielle Brooks (“Orange is the New Black,” Broadway’s “The Color Purple”) and Grantham Coleman (“Buzzer,” “The Americans”) as the sparring lovers Beatrice and Benedick. Tony Award winner Kenny Leon (“American Son,” “A Raisin in the Sun”) directs with choreography by Tony Award nominee Camille A. Brown (“Choir Boy”). Set in contemporary Georgia with an election race underway, Great Performances: Much Ado About Nothing finds the community of Messina celebrating a break from an ongoing war, but not all is peaceful amid the merriment. Former rivals battle it out, revenge is sought and trickery runs amok in this timeless comedy of romantic retribution and miscommunication. Earning a New York Times Critic’s Pick, the play was recorded during its final weekend of Free Shakespeare in the Park performances, June 22-23, 2019.