Nightfall. Marco, a politician, is murdered while he is going home. Also Luca, a gay man, is going home, where his partner Paolo is waiting. But he is on the killer's way, and he is shot. Paolo dashes to the hospital but the doctor doesn't want to tell him anything because Paolo isn't a "real" relative. Luca dies. Paolo starts walking in the streets of the town, where his loneliness will be ever misunderstood. A barman tries to comfort him supposing he was discharged by his girlfriend. Luca's mother orders Paolo to leave the house. A guy takes Paolo to him's, looking for a partner in the night. Paolo runs away from everybody, also from his friend Francesca: she says she is understanding but she can't. While the dawn is coming, Paolo reads about the murders on the newspapers, and realizes that what happened was reality.

A drama film based on the life of Mario Mieli, a leading figure in the Italian gay movement of the 1970s.

A trans short film that centers trans stories—by and for trans people, both in front of and behind the camera. Elizabeth arrives in the city with fierce eyes, wild hair, sharp nails, and a suitcase full of fragments of past tenderness. She drifts through encounters with men who, like cigarette smoke, warm the body, fade away, and slowly kill. Each takes and leaves something behind. Elizabeth accepts this cycle, knowing that on full-moon nights she must keep away from beaches, forests, and trousered men. The moon awakens the beast within her—sharp-clawed, born to survive, feeding on her pain. She hides it, distancing herself from flesh when it claws at her skin. But one man comes too close, witnessing her under the full moon, seeing her beast, her besta fubana, in her most fragile state.