Zischlermann Filmproduktion

Valentin (Wotan Wilke Möhring) thought it an excellent idea to let his best friend Theo (Fabian Busch) its new, large house for one night, so that the therein undisturbed with the attractive waitress Mörli (Claudia Eisinger) can enjoy. As the best-selling author and passionate chess player Theo currently has trouble

After the fall of the Berlin Wall, a communist family discovers a bunker full of money soon to be worthless. With the help of their neighbors, they embark on a race against time to enter the capitalist world in style.

Albert grew up on an isolated mountain farm in the middle of nowhere in the Alps. Although he’s already in his 30s, his omnipresent mother Marianne still pulls the strings in his life. Not intentionally and only because of his mother’s pressure, Albert went to live in the nearby valley to make his living in a marble quarry. Marianne wants to protect him from the poor and lonesome life on the mountain and is even willing to denounce their bonds to the tradition of the farm, that has existed over centuries. Like an abandoned animal that keeps coming back to its territory, the introverted farmers son keeps sneaking back to the mountain as often as possible. When his father dies accidently whilst repairing the roof, Marianne fears, that Albert will take over the role of his father and return to the farm. Instead, she decides to hide the death from Albert and the outside world—and buries his corpse on the mountain.

Reyhan realizes that she has lost her sense of smell during a short vacation. Although the possibility of a serious illness worries her, she will follow her instincts to regain her sense of smell instead of undergoing further tests.

The warmhearted story of Polish immigrant and mathematician Stan Ulam, who moved to the U.S. in the 1930s. Stan deals with the difficult losses of family and friends all while helping to create the hydrogen bomb and the first computer.

Melanie is in her mid-thirties and works for the Brandenburg police. Her precinct is the province north of Berlin. Melanie likes it when anybody likes her. If it gets political, she keeps herself out. But that's no longer so easy when her best friend Lydia, an ex-daily soap star, makes herself important as a populist influencer with right-wing slogans in her home village and a street disappears overnight. Its bumpy cobblestones were the last evidence of a dark time when building material for the Wehrmacht was mined at the Kiessee, today a bathing area. Forced laborers and concentration camp prisoners toiled here. Elementary school teacher Anja considers it a thoughtless mess that this stone memorial to history should simply be asphalted. With brown homeland paroles, Lydia heats up the mood in the village and earns good money through clicks on the Internet. When the violence escalates, law enforcement officer Melanie, who is addicted to harmony, has to decide which side she is on.

To escape mounting tensions at the advertising agency they co-own, French-German couple Nina and Jan whisk their kids, Max and Emma, away to their seaside vacation home. The couple has signed a new politically charged client, forcing them to confront their clashing priorities. But what’s meant to be an idyllic off-season retreat turns sinister when burglars tear through the house, unseen by anyone except Nina. Though at first the aftermath brings the family closer, it’s short-lived once Max reveals he glimpsed his father hiding during the break-in. As the police investigate and the evidence doesn’t add up, the account of what took place begins to unravel alongside the couple’s faith in each other.

WWII is over, the director’s family goes separate ways: Her great aunt moves to Israel and joins the Kibbuz movement. Her grandmother returns to East Germany to help build a Socialist society. Only after the German reunification young Esther finds out about her Jewish relatives and spends carefree days in Israel. The Golan Swimmingpool lovingly explores the Jewish identity of a family living in two political systems. The film investigates their ideals and worlds and questions how much of it is left in today’s generation.