Estudios Splendor Omnia

A father dies; his family cares for the deceased and prepares him for his next life. The American setting and way of life intertwine with Buddhist beliefs and customs in a Tibetan family exiled in the United States.

Deep in the Mexican countryside, a community is plagued by the constant threat of looming violence. Three women from different social classes—a maid, her wealthy employer, and a police officer—become tragically affected by a missing-person case related to organized crime.

Tasked with shielding her from the news of her father’s death, young soldier Atom escorts Claudette on a road trip into the conflict-ridden Armenian countryside. A hallucinatory odyssey through the mythologies of a nation in a state of permanent war.

After wandering a ruined city for years in search of food and shelter, two siblings find their way into one of the last remaining buildings. Inside, they find a man who will make them a dangerous offer to survive the outside world.

A woman is recruited to a prison controlled by organized crime while another woman searches for her missing daughter. Through images that submerges us in a journey from north to south Mexico, both testimonies collide and take us to the center of a storm: a country where violence has taken control of our lives, our desires and our dreams.

I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.

An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.

The love story of Davud, a young man in search of his ‘true’ family, who completes his life cycle in a single day. When he does find Love, it's in the place he has always lived. But perhaps it is too late.

As the world comes to an end, Shah Ismail embarks on a quest for the water of Life.

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.

Davud returns from war to find everyone in his village has succumbed to a strange illness and has decomposed. His sister, the only survivor, is slowly rotting away herself. Davud is troubled by his memories as a soldier, as he confronts the only true question: is surviving the same as living?