Miu Miu

“Farah,” a bread seller, walks the streets of a Middle Eastern town, while an American military vehicle, surrounded by soldiers, slowly passes by. A moment’s silence. Then, a devastating explosion. Civilians are bloodied, wounded. The horrors of war. “Farah” looks around aghast and wailing. But nothing here is quite what it seems. In fact, “Farah” is a character played by an aspiring actress called Laila. And this isn’t Iraq, but a replica village erected on the Fort Irwin army base in California, used to train American troops before being sent abroad. Laila believes her acting talents are being wasted away in this arid simulation, where female role-players are limited to mute, background roles. She takes things much more seriously. Laila plots her way out.

The film examines girlhood as inherited performance-costumes worn before identity forms. Mona frames femininity as simultaneous nurture and constraint, exploring how intimacy between girls and garments becomes predetermined theatre. Clothing functions as ritual and control, dictating movement before self-knowledge arrives.

The Door, by Ava DuVernay, is a celebration of the transformative power of feminine bonds, and a symbolic story of life change.

It’s quintessentially late afternoon Californian sun. The eponymous house gently hosts a number of clipped social encounters. Each of these denotes dynamics of power in race, gender and class. While it’s the macaw that seems ostensibly and literally caged, Bravo’s drama of manners suggests that every single one of us may not be quite as uncaged as we assume.

Miu Miu Women's Tales #12 - Short film directed by Crystal Moselle starring The Skate Kitchen crew

Made during confinement, "In My Room" plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director's deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.

The ninth short film of the Miu Miu’s Women’s Tales series reflects Alice Rohrwacher’s attention to the surreal world of ordinariness and exceptions.

Naomi Kawase describes Sakura Ando, the lead character in her film, as "a mysterious creature" who is "like a fairy. SEED is the story of the journey this girl takes from the enchanted nature of Nara to the chaos of Tokyo, and the encounters she has along the way. A boy offers her the gift of an apple, which she in turn gives to a homeless man, who proffers a soft piece of chiffon fabric in return. Moving like a tree that sways in the wind, the girl embodies a spirit that secretly runs through places and living things. The eleventh film commissioned by Miu Miu Women's Tales was directed by the multiple Cannes award-winning Japanese director Naomi Kawase.

On the day of an inauguration to head the family business Stane confronts marriage, love and patriarchy.

Directed by Argentinean Lucrecia Martel, MUTA, meaning both “mute” and “transformation”, is a beautiful and cryptic portrayal of an all female world of symbolism, hidden meaning and intrigue.

"We understand this political climate has turned your world upside down," the 1950s TV-ad voice- over tells you. "Underground shelter is your best defense against radioactive fallout." Cue perky music, tap dancing twins, and a ballerina that bakes the perfect croissant. Welcome to your new luxury home - buried 26 feet below. Complete with mini-golf course, dance floor, swimming pool, two jacuzzis, and a thoroughly modern mermaid. "This is reality." That is, until the nuclear siren rings.

Across time, a Black woman seeks to piece together the fragments of Black female figures and, guided by Black Venus, attempts to regain control of their narrative.

Gita, a young woman in search of a life purpose, leaves her hometown in China for Malaysia. As she struggles to come to terms with her past and identity, Gita devotes herself to an intense martial arts training course—turning inwards and arriving to groundbreaking epiphanies about herself.

Carmen, by Chloë Sevigny, is the 13th commission from Miu Miu Women’s Tales, the short-film series by women who critically celebrate femininity in the 21st century. Carmen has a loose, voyeuristic, improvisational mood that reflects Sevigny’s interest, making a short-film about process, being a woman, celebrity and ego.

Have you ever found it impossible to say something, face to face, to someone you know, someone you love? The words just won’t come out? New messaging service, Somebody, could help.

The film reimagines the life of a Miu Miu Wander bag as it moves between owners, places, and social realities. The bag becomes a silent witness to human experiences—love, loss, and reinvention.

It’s California, during the Great Depression. A woman is confiding her most intimate thoughts in a church confessional, while the man on the other side listens silently and intently. But this is no ordinary religious ritual seeking salvation. The woman — a second generation Filipino farmhand — is rapt in roleplay reverie, her sensuous words aimed at her white American lover, during a historic period when such interracial relationships were forbidden by state law. The confession box transforms into a romantic time machine, ecstatic and melancholic, traveling into alternate futures. She manifests as multiple, dazzling women, and they can love freely. This is the 21st commission from Miu Miu Women's Tales​ series.

“Miss Jasmine! I have a package for you!” The 14-year-old girl with braces takes a break from milking the goat. Her local postman has delivered a surprise. She opens it up. Out floats a magical magenta ball dress ten times her teenage size. “I am curious,” she says, and enters the folds of the dress. From here, Jasmine⎯headstrong, a dreamer, a realist⎯takes us on a modern anti-fairy tale through caves and stalagmites, streets and shop windows, obsessions and everyday empowerment.

An enchanting and dramatic short film set in London’s Claridges hotel. As its name suggests, the piece takes us into an ultra-feminine environment where gestures between women are traded in a ritual of opulent beauty.

An insight into the creative process of photographer Brigitte Lacombe, exploring her obsession with taking pictures and how her lens defines her relationship with her subjects and the world.