kunstencentrum BUDA

In Brussels, a construction worker crosses paths with a bryologist.

In the winter of 2012, two famous American performance artists sat in anonymous hotel rooms on the West Coast, waiting to take the stage, and in a bizarre coincidence, over-dosed on the anxiety drug Xanax. One survived, one did not. The two individuals are Whitney Houston, who tragically died, and the author of this piece, who lived. Incarcerated in a psychiatric ward, the author began an arduous and experimental journey towards recovery. What is life, and why should we live it, having had it thrust upon us like the assigned reading of a baffling mystery novel, the chapters jumbled, the text often incomprehensible? In the thirty-seven years of life leading up to this event, we find a simple but elusive answer: Love.

“The Making of Justice” is a movie about seven prisoners working on the scenario for a crime film together with Sarah Vanhee. Like the main character in the film they are making up, they are all guilty of murder. To shape the story, they draw on their own experiences, ideas and desires. We, the viewers, can only guess whether they are using fiction as a means of confirming, transcending or transforming their present situation.