Vixens

Rita, an underrated lawyer working for a large law firm more interested in getting criminals out of jail than bringing them to justice, is hired by the leader of a criminal organization.

Two actresses, Béatrice Dalle and Charlotte Gainsbourg, are on a film set telling stories about witches.

California, Mojave Desert, 1998. A strange glow appears in the sky. Sam, a forty-something door-to-door salesman, travels through the few inhabited zones of the Californian desert in search of clients.

Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times.

When her first love suddenly reappears in her small Georgia town the same night that a series of killings begin, Charlotte is forced to reconcile her past and present, her traumas and nostalgia, as it becomes increasingly clear that her life is at risk in ways she never imagined.

A young Iranian man is desperately trying to meet women who can secure his stay in Denmark. As time runs out, he falls in love and his past catches up with him. The film deals with themes of race, class, and the struggle for a better life.

Returning to Paris, a man moves through memories of his past and surreal fragments of the present, searching for connection with his estranged father. On his journey, he meets a French-Algerian woman. As their intimacy grows, he is confronted with his shame and fears while exploring his lost Arab identity… Behind Paris is Algiers.

When he leaves hospital, 30-something Basil moves in with his younger sister and closest confidant, Sarah. Living with a psychiatric disorder, Basil tries his best to re-establish a sense of normality in both his work and his love life. But, whilst hiding his illness from his new relatives, how long can he maintain this fragile stability?