Vixens

Rita, an underrated lawyer working for a large law firm more interested in getting criminals out of jail than bringing them to justice, is hired by the leader of a criminal organization.

Two actresses, Béatrice Dalle and Charlotte Gainsbourg, are on a film set telling stories about witches.

California, Mojave Desert, 1998. A strange glow appears in the sky. Sam, a forty-something door-to-door salesman, travels through the few inhabited zones of the Californian desert in search of clients.

When her first love suddenly reappears in her small Georgia town the same night that a series of killings begin, Charlotte is forced to reconcile her past and present, her traumas and nostalgia, as it becomes increasingly clear that her life is at risk in ways she never imagined.

Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times.

Fatima-Zahra and her teenage son Selim move from place to place, forever trying to outrun the latest scandal she’s caught up in. When Selim discovers the truth about their past, Fatima-Zahra vows to make a fresh start. In Tangier, new opportunities promise the legitimacy they each crave but not without pushing the volatile mother-son relationship to the breaking point.

In September 2022, Beatrice Dalle arrives in Italy. At the origin of this journey is the desire to walk in the footsteps of Pier Paolo Pasolini.

Returning to Paris, a man moves through memories of his past and surreal fragments of the present, searching for connection with his estranged father. On his journey, he meets a French-Algerian woman. As their intimacy grows, he is confronted with his shame and fears while exploring his lost Arab identity… Behind Paris is Algiers.