Hamburger Kino-Kompanie

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

14-year-old Uwe lives in a suburban Hamburg housing estate. Besides trouble, the boy has not much to expect from his parents. To get his hands on some money, he prizes open vending machines, and to let out his frustration, he beats up "wogs". Among them is Dschingis, his nemesis. But one day, the rivals make peace. They become friends because they realize that they have the same problems and are driven by the same dreams and hopes.

During Pinochet's military dictatorship in Chile, a father strives to free his daughter from the German religious sect, Colonia Dignidad.

15-year-old Moritz lives in a posh area of Hamburg, but his parents did not care about it. The teenager suffers from ridicule of his classmates and finds refuge in his dreams and playing the saxophone. Only when he joins a band and began performing there Moritz pulled out of the vicious circle, and finds love with new friends...

A life of little Maria who lives in a foster family breaks after a sudden appearance of her mother Melanie who was absent for five years...

A deliberately subjective diary film by German filmmaker Hark Bohm, who shot documentary footage in Nicaragua and attempts to convey the contradictions and problems of this Latin American country, which has been in a state of war for years. Without commentary, different statements and perspectives are juxtaposed, making the tensions in the country between utopia and reality quite apparent.

A moose has been spotted on the Elbe. It has strayed into Germany from the far north. Two city boys are after the animal. One of them just wants to photograph the moose, the other wants to kill it. Without knowing about each other at first, they travel all over Germany in pursuit of the moose. At some point they meet and, realizing that the moose is hopelessly at the mercy of an unknown world, the two tentatively become friends. Finally, after the animal has strayed as far as the highway and Frankfurt airport, they decide to give the animal the coup de grace...