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In the arid Brazilian hinterland, girls play poised between their mothers’ difficult pasts and fantastic dreams for the future. In a place where men are still seen as giants compared to women, the girls cross the threshold from childhood into adolescence.

Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.

The historical, political, and social context of Brazil in the 1960s, 1970s, and 1980s, and the impact of each decade on the life and work of the acclaimed actress Marília Pêra.

A celebration of the centenary of the writer, journalist and democracy activist Antonio Callado. The documentary describes the life story and works of this writer who always sought to understand Brazil. In the early days, he believed in the myth of a country focused on its origins, on the Indians and the fight for freedom. Afterwards, he recognized that he had lived a useless passion and became disenchanted. But his work has the characteristics of a continuous account of the struggles of the common man, in search of love and a better life.

This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.

The documentary “Pagliacci” celebrates – in a poetic way – what it means to be a clown. The film addresses philosophical and symbolic questions about man’s need to laugh at himself. In a sensorial and emotional mix, the film starts from what is most human and true: laughter.

Behind the scenes of news coverage during the pandemic. Follow the work of the professional press in a fight against denialism.

The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.

A record on Brazilian samba school Estação Primeira de Mangueira's victory on the 2016 carnaval parade. Mangueira's parade that year was a homage to singer Maria Bethânia. The documentary also follows Bethânia on the celebrations of Our Lady of Purification, in Bahia, northeast of Brazil.

The friendship between Jorge Amado, Dorival Caymmi, and Carybé, artists who were largely responsible for creating an image of the culture of Bahia that persists to this day, and who believed that the strength of their work lay in documenting what they saw on the streets.

In the capital of Ceara, Iracema is the name of many women. It is the name of schools, guesthouses, bakeries, laundries, steakhouses, Iracema is the name of beaches.

Located at the intersection of disability and queerness, this documentary enriches, implicates, and breaks open the conversation around sexual life in the disabled community. This film does not shy away from the complexities and challenges of queer life, but rather embraces them and in doing so, illuminates how they impact one another and bring new dimensionality to the position of the body within them. Resisting a normative lens, this filmmaker uses the observational power of the camera to document the raw sexuality, fantasies, and erotic expressions of a wide array of subjects with rare candor and vulnerability. Embodied sexual explorations are balanced against interviews that in their frankness and insightfulness criticize and deepen the lacking conversation around this intersection in the wider discourse.

The film is an unprecedented and exclusive testimonial of Maria Bethânia from director and screenwriter Carlos Jardim, interspersed with rare footage of rehearsals and concerts by the singer throughout her 57-year career. Actress Fernanda Montenegro narrates five texts by authors such as Ferreira Gullar and Caio Fernando Abreu about Bethânia's importance on the Brazilian cultural scene.

Between repetitive actions such as stocking shelves and scanning groceries, anonymous Brazilian supermarket employees reflect frankly on their lives, society, and the role they dream of playing in it.

The trajectory of musician and comedian Mussum as vocalist of the group "Os Originais do Samba" and later in cinema and TV as a member of "Os Trapalhões", a group that revolutionized the way of making humor on Brazilian television.

The language that is born from the intersection of cultures, is a pretext to speak of the genesis of Latin America. A road movie that does not seek an answer on the way, but rather to break all possible certainties of what it means to exist at the edges of cultural definitions.

A beautifully told story using archival footage to explore the life of Grande Otelo, a groundbreaking Black Brazilian actor. Overcoming poverty and racism, he built a stellar career, facing controversy yet using it to challenge prejudice.