Melhus slips into the role of the captain of a space ship, accompanied by a bold man and a boy in his communion suit. Threatened by a dark power and while stars are exploding in the background, all three perambulate in dialogues, cut from different science-fiction films.

Referencingthe death scene of Sol Roth, played by Edward G. Robinson, in the 1973 movie Soylent Green, and old man on a hospital bed moves through an endless hallway and reflects in a monologue on the 11years of his life and how husmands were able to avoid their own extinciton.

Against the backdrop of an unfathomable megalopolis, in a story that follows the associative qualities of a dream logic, the protagonists quote from concepts of neo-liberal elitism, and a mix of religious delusions and hallucinations of the apocalypse. The film begins in a sacral space, where Randi, a figure that references Ayn Rand, transforms a parapsychological medium into two digital clouds and sends them on a journey through a megalopolis in full growth. There they materialize as two bodies, which go by the names of Mr. Freedom and Ms. Independence.