Studio Filmowe Kadr

Polish businessman Jarek Branicki organizes a beauty pageant. As the man in charge, he expects his girlfriend to win it and suggests this outcome to the judges. At the same time, however, he is on the verge of bankruptcy and tries to escape the country after being cornered by his creditors. Recognized by a passenger on the train, he flees and finds refuge in the underground passages of Warsaw’s central railway station.

A story about women, set in the present and in 1950s Warsaw. Sabina, a quiet, shy woman who has just turned thirty lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secrets can be kept.

Marek, a young writer, is trying to solve the mystery of the night his friend Arthur died. In the recesses of his memory, Marek finds fragments of past events: a party at the home of an eccentric publisher, his argument with Arthur, the exchange of blows, blood. Afraid that he has killed his friend, Marek suppresses his feelings of fear and guilt in his passionate meetings with a woman who has more to do with Arthur’s disappearance than it seems...

A story about the key events of the Wielkopolska Uprising - a dramatic arrival of Ignacy Jan Paderewski in Poznań, and the people who prepared the uprising, fought in it and won.

Drama set on an isolated farm on the Czech-Polish border immediately after the end of WWII.

In the sanatorium in Nałęczów, Halina meets Adolf Poświatowski. They both have heart disease.

Karol, talented 25-year old, makes money in the family company and leads his own prospecting buisness. When his father, a flying instructor, crashes and dies, it's up to Karol to make a living for him and his mother. Along with two best friends he decides to build an airship. When big money comes into play, Karol quickly realizes, how much it costs to have your own company.

A movie about a couple of semi-estranged brothers who at first feel they've been screwed by their father having the gall to die, leaving the bulk of his estate to the church. Only to then learn that they've been willed a car that may have been owned by the pope.

The year 1901, a psychiatric hospital in the Russian partition. One of the patients is a political prisoner - Józef Piłsudski. The Polish underground independence movement is preparing their mission to rescue the famous activist. Piłsudski is freed, but he will not get back his idyll family life that he once knew. Uncertain years are coming, marked by revolutionary events, violence and betrayal. Pilsudski must find a way to man oeuvre on the boggy ground - between the conservative passivity of the Polish Socialist Party and the aggression against the invaders, resulting in retaliation. The year 1914 is coming, and the chance for restoring an independent country, independent Poland, is now or never.

Ogrodowa Street in Lódz - just opposite a crowded shopping center, a state-of-the-art museum and a posh hotel - is where some of the city's poorest live, completely forgotten by the world. A heart-warming and funny portrait of people excluded from the mainstream of social life; people who might be more capable of sacrifice and love than those who pushed them to the sidelines of society.

The rise and fall of the most distinguished Polish-Gypsy poetess Bronislawa Wajs, widely known as Papusza, and her relationship with her discoverer, writer Jerzy Ficowski.

Originally, Munk intended Eroica to be a triptych with Con bravura being the first part, but he ultimately gave up on this film, deeming it weaker artistically than the two counterparts. Con bravura is about conspiracy conflating the paths of a rather unconventional nun and an intrigued young man – each of them bears secrets and the encounter could incite a flaming romance, though one suffocated by war.Munk set the film in the mountain capital of Zakopane and its vicinity, allowing breathtaking views from a cable car and using his experiences of the Nazi occupation in the area to add gritty reality. The director plays a cameo as a priest with several of his industry friends also making appearances.

Ancient Rome, during the time of Emperor Nero. Vinicius, a young patrician, falls in love with the beautiful Lygia, the daughter of a Barbarian commander who was killed in battle, and wants her for his concubine. For Lygia, a Christian, being a pagan's concubine is a severe sin and disgrace. However, when Vinicius is wounded, Lygia cares for him, and starts to reciprocate his feelings. Vinicius, in return, becomes interested in Christian learning and asks Apostle Peter to teach him. In the meantime, Emperor Nero accuses Christians of having started a great fire in Rome. He encourages the imprisonment, torture and murder of his Christian subjects.

Moody, dark and handsome Dominik is tormented by his classmates after video footage of his drunken kiss with bully Alex is spread across the Internet. Grappling with the public humiliation Dominik seeks solace in an avatar based “suicide room” where the pink-haired rebel Sylvia consoles him.

Władysław is declared a hero after controlling panic in a bank archive fire.

Two middle-aged male friends are travelling together by car and expressing their thoughts and emotions connected with women.

Two boys in the Gdańsk City Hall follow the trail of a 15th-century legend about children of city councilors enchanted in sculptures.

On a Friday evening, two teenagers set out on a trip around the city. Lavishly dressed, after a large dose of alcohol, they draw the attention of passersby. They behave defiantly and vulgarly, accosting strangers on the bus. During the trip, the intimate problem of a typical teenage girl and her "boyfriend" recurs in the discussion of both girls.

How to live in a shadow of an empire? How can you think about the future if all that you see through the window are barbed wires, armoured vehicles and tanks? Aleksey from Nagorno-Karabakh, Timur from Ukraine, and Alexander from Georgia are facing these questions every day. These three men differ in almost every aspect of their lives, but in fact, each of them experiences the same consequences for their very existence. Each one of them experiences war. We observe people involved in the already forgotten border conflicts, that happened after the USSR collapse, and are still alive due to the Russian imperial policy.

The main character of "Żyłem siedemnaście razy" reflects on his childhood in Gwoździec and tells a story about the beginning of his career as a filmmaker.