UMPRUM

Liebe. What begins as a trivial romantic etude about the lives of four young people who arrive on the island of Rügen to shoot a film about love gradually descends into a vortex of mutual suspicion, self-accusation, recriminations, and animalistic sex. When one of the two girls apparently drowns in the stormy waves of the Baltic Sea, the fates of those involved head toward an unexpectedly dark climax. The mysterious drama Liebe is a tribute to the goddess of cult and pagan times, when gods themselves entered into people. Whether they wanted it or not.

An animated short film about a school where the students keep mysteriously disappearing. Rybnická elementary school has a new sensation - one pupil dies in teacher Zimová's class every year. Is it a morbid coincidence or are the students in the class really cursed? Filmed based on the comic of the same name by Josef Blažek and Lenka Šimečková.

This architecturally unique resort on the shores of Lake Orlík was a secret retreat for the communist establishment in the 1960s, but later, rampant capitalism handed it over to now infamous businessmen. Imbued with a mysterious atmosphere, this portrait captures the genius loci and turbulent history of a hidden summer paradise that was never marked on any map.

A short animated film dedicated to the boundlessness of children's imagination. What can a child think when he hears a neighbor drilling a wall? What wonderful pictures his imagination can draw.

In the original fairy tale, Otesánek eats whatever he finds – he doesn't even shy away from cannibalism. But times are changing, and his appetite has grown considerably. After eating his mother and father, the puppet Otesánek sets out into the world in search of food. Will the big city survive the attack of this uncouth creature?

Story of three friends who – for economic reasons – decided to walk and – uneconomically – stopped in a pub in Srbsko, a village near Prague.

What would happen if mum was always right? Do mums always tell their children the truth? If I squint, will I stay cross-eyed forever? And what about beer, can it be safely tasted? Or will it make me the shortest granddad in the old folk’s home? Will I really have muscles like Popeye if I eat spinach? The film follows mothers and children in several households. Their grotesque and absurd tales are based on the most common phrases told to children , for whom though they are an utterly plausible reality. In my film these situations will be showing what would happen if our mothers were always right. Absurdities like unravelled belly button, frogs in one’s stomach, eyes in the neighbours garden etc. are a great opportunity for the animated film, for which not a single literal meaning is impossible or inconcievable to shoot. The film is targeting primarily the adult viewers, parents, to make them realise the power and absurdity of their warnings. But I hope children will enjoy it too.

The kitchen of a forgetful granny comes to life when she’s not around. Saltshaker, Sugarbowl and the rest are set to fix what she's accidentally forgotten.

The smell of borscht, which my grandmother cooked on a sunny day, takes me back to my childhood memories. Although they are vague, appearing and disappearing at lightning speed, they are filled with a certain nostalgia and tranquility. Moments of summer and warmth that I want to preserve forever.

Hun Tun was an ancient emperor of chaos. He was both admirable and scary. Life with him was beautifully unbearable. In the Chinese myth, the world is born out of Hun Tun's dying body. Magdalena is an ordinary millennial. Her life is full of little twists and adventures: work, friends and love. But now she has only one mission – to get her sleep back. The more she tries, the more she gets stuck. It is only when she sees the chaos in her life clearly that the situation changes. And suddenly, there are other people with their “chaoses” too. This is how being spotted and recognized, Hun Tun starts losing power over Magdalena. Living together (un)happily forever.

A critical essay on the anthropocentric nature of space colonization.

Based on first-person interviews and archival materials, this animated documentary brings back the glory days of Czechoslovak hockey — but also the dark moments from the year 1950. Chase follows not only the players’ personal fates, but also the transformations in society, politics, and culture taking place in the background.