Felix and Martha, the two offspring of legendary serial murderer The Skinner of Mons, grapple with the grotesque legacy bequeathed to them. While Martha works a menial janitorial job, Felix continues his father's reign of terror. But following a brutal attack at work, Martha quickly descends into madness, finding she must come to terms with the infamous blood that flows through her veins.

Doctor Lepage knows his wife Françoise through and through. He protects her, watching over her. In a masterly way he chases all 'butterflies' away that come in her neighborhood. Françoise knows that she is nice.

Three young soldiers who participated in a military operation that went wrong, and where one of their comrades had been killed before their eyes, are placed in a luxury hotel to prevent a scandal. Despite the help of a young military psychiatrist, the young trio denies any trauma suffered, but they seem to hold a very different secret truth.

Marguerite Duras still has much to tell us about her words and about her silences. In this film, hers is the only voice we hear. She talks about herself, without excuses, and with the keen wit, the humour, and the straightforward attitude that became her trademark.

A zombie loses his job. He must find another one but would prefer to ride his beautiful bike!

With his popular culture, prolific imagination, and verbal alchemy, Michel Audiard revolutionized cinema in the 1950s and 1960s. Alongside his mentor and friend Jean Gabin, his writing partner Albert Simonin, and his favorite actors Bernard Blier, Lino Ventura, and Michel Serrault, we find his verve and innate sense of repartee, which alone reflect the spirit of the French people and language. From elegance to cheekiness, cynicism to tenderness, he made words speak like no one else. Between the expressions he stole from bar counters to refine them and his encyclopedic knowledge of French culture, he created a unique style and ranks alongside Prévert and Jeanson as one of the greatest dialogue writers in French cinema.