An American low-budget action film celebrated an unexpected worldwide success in 1988: "Bloodsport". With its, the world of film fans and martial arts cinema discovered a new idol: Jean-Claude Van Damme. In the 1970s there was Bruce Lee, but at the end of the 1980s a Belgian won the day. Van Damme was a karate master and had unparalleled strength and flexibility. For ten years he was one of Hollywood's hottest action stars. But excessive overconfidence and drugs bring him down again. At home in Europe he becomes a laughing stock on talk shows. Only with "JCVD" does he manage to get back on his feet, playing his character with perspective and self-irony, but without ever giving up the reputation that his action films brought him and which has been a cult for several generations. The highs and lows of his eventful life are told through archive footage and contributions from people close to the popular Belgian actor.

A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.

By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance floors still needed new records and faster rhythms. Built on synthesizer sounds, the hi-nrg (high energy) style swept the gay clubs before hitting the charts during the eighties.

Despite its Afro-American origins, the history of disco music, the soundtrack of the seventies, would be inconceivable without a handful of legendary European music producers who conjured up some of the biggest world-wide hits in the anonymity of their studios.

The 1st Cannes Film Festival was held from September 20 to October 5. 1946. In this documentary, British actress Charlotte Rampling recounts the eventful beginnings of the film festival. In addition, Frédéric Chaudier and Frédéric Zamochnikoff have compiled unpublished contemporary documents from the family archive of Jean Zay, original footage from various eras of the festival, which is now considered the most important and fascinating film festival in the world.

For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.

Cats are cuddly felines and lovely pets, but also highly evolved predators that hunt huge amounts of small mammals, birds and reptiles; perfect killing machines that threaten delicate ecosystems around the world.

The Smurfs were created in 1958 by the Belgian comic author Peyo (Pierre Culliford, 1928-1992) and they are one of Belgium's most recognized exports. From Brussels to Los Angeles, via Dubai, a journey into the tiny world of the famous little blue people, from the story of the creation of the original comic to the account of their huge global commercial exploitation.

The French romance follows musician Dadju and his love story with the hypnotizing Ima. Dadju returns to his home city Kinshasa to perform in a concert. Laetitia is a big fan, but after she finds out that Dadju's concert is sold out, she relies on her father's connections with her boss Yavan to find extra tickets. Yavan invites Dadju to participate in a private concert. Seeking to seduce Laetitia's sister Ima, Yavan hosts the concert, but fate intervenes when Dadju falls in love with Ima at first sight.

With the founding of Stax Records, the white siblings Jim Stewart and Estelle Axton created a label during the period of racial segregation that caused a revolution in the music scene with artists such as Otis Redding, Wilson Pickett, Sam & Dave and Isaac Hayes. Their commercial success was closely linked to the civil rights movement of the 1960s and 1970s.

A profile of Jean-Paul Belmondo by his peers. Besides appearing in over eighty films, the actor also delighted audiences with his dangerous stunts, his laughter, his jokes, and his refreshing ease and impertinence. Cultivating the art of the counterpunch, he spanned half a century of French cinema.

A portray of French actress Françoise Dorléac