DesperaDo

Taro is a 12-year-old into baseball and radio, especially "Music Express," a song-request show. Sound quaint? But it is 1977 and a small town in Hokkaido, a more innocent, pure-hearted time and place, we are told. Taro, however, has a blood disease that lands him in the hospital where his aunt is a nurse. Rounds of tests, transfusions and injections sap his spirit, despite the kindness and dedication of his young doctor and the Doctor's hospital-director father. The latter, a music buff who broadcasts classics over the hospital's PA system, asks Taro to relieve him as DJ — and soon the boy is ensconced in the hospital director's well-stocked library-cum-studio, spinning popular J-Pop tunes. He also becomes acquainted with Tamaki, a girl he first calls "the mummy" because of her bandages and full body cast — she was injured in a traffic accident. He later changes his tune when she is revealed as a cute 13-year-old — for him, an older woman...

A film adaptation of the Last Nanto General story arc from the manga, depicting the final battle between Kenshiro and Raoh that led to Kenshiro becoming the successor of Hokuto Shinken. Some events from the manga / anime have been excluded from the story (such as Raoh's fight with Juza) whereas others have been altered or expanded. New content featuring the final battle from Raoh's perspective have been added. This film serves as the follow-up to the first film in the series, which introduced Raoh and Reina's relationship, this time bringing it to a conclusion.

A gang of underground street fighters calling themselves "Guilty" think they've hit the mother load when they mug a thief and discover he's carrying a bag filled with cash, unaware it's been ripped off the notoriously ruthless Yakuza who'll stop at nothing to reclaim what's theirs.

A university student finds himself wrapped up in the bizarre world of his next door neighbor, learning about his history and relationship with a girl who changed his life.

Onuki asks people in a hospital to perform a play for Paco, who suffers from memory disorder. His only hope is to help Paco survive from her illness.

Adapted from a sex-stuffed cult novel, LALAPIPO (a play on the phrase “A Lot of People”) follows divergent seedy strands of sexual and narrative spaghetti through the sticky Tokyo night. There’s a chubby freelance writer who’s so obsessed with masturbating to the sound of his upstairs neighbors going at it that he forgets to deal with his own love life and when he finally does have sex he is immediately filled with self-loathing. The upstairs neighbor’s story then splits off like an amoeba: she’s an office lady seduced by a “talent scout” who is falling down the sex industry ladder, moving from hostess, to massage girl, to private karaoke attendant. The talent scout’s story then splits off and runs in its own direction, revealing the sorry state of this young pimp’s soul. From there, the movie takes more and more time to consider the lives of more and more characters until the entire Japanese sex industry is filled with the wailing of lost souls.