Waka Films

In this Sufi tale, Nadia, a young Moroccan emigre returns from Paris to Fez to visit her dying father. At his funeral, she is overcome by the voice of mystic Kirana chanting the Koran. A powerful friendship develops between the two women as they decide to turn the father's palace into a shelter for Muslim women.

A penniless, fast-thinking musician buys a lottery ticket which he glues to his back door, in hopes of eventually retrieving his instrument from his exasperating landlady. —but the ticket wins...

David spends the last of his money on a room at the luxury hotel Waldhaus, where he plans to commit suicide. As part of his final act he invites his unsuspecting brother Gian along, ostensibly to spend his last days with him. Unexpectedly, Gian comes along with his girlfriend Valeria. David’s decision to end his life is constantly with them, and as the trio float through the days at the hotel, they come face to face with their past, unfulfilled dreams and an almost unbearable present. Eventually, Valeria becomes so captivated by David’s suicidal romanticism that the three of them end up in a ménage à trois – either their salvation or the end for each of them.

Within the framework of the “Half a Century of Locarno, Thoughts on the Future” project, seven directors, Idrissa Ouedraogo among them, have the chance to express their vision of the future of the film industry by means of a short film. “The state of the film industry the world is a vast issue,” says the director from Burkina Faso. “I would rather speak about my films, about African films and their relationship with the world”.

Cinema is Magic offers a rare insight into the filmmaking process of one of African cinema’s foremost directors Djibril Diop Mambéty. Interspersed with clips from his films, Mambety poetically discusses his deep love of cinema and philosophical approach to life and making art. Director Silvia Voser, had a long-standing working relationship with Mambéty having worked as a producer on Le Franc (1994). Her documentary captures the auteur’s hopeful outlook on cinema and its infinite possibilities.

A young girl with a physical disability arrives in Dakar and challenges the convention of boys selling newspapers on the street.

This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

The only surviving accomplice of a gas station robbery gone bad, Samba Traoré flees the scene with a suitcase full of cash. However, his newfound happiness is put to the test as he struggles to cope with the moral crisis of his crimes.