Akademski filmski centar / Dom kulture studentski grad

In the form of an anthology film on psychiatric subject, it offers reflection on various situations that occur in the waiting rooms and hospitals of a psychiatric institution. Time flows differently there, the boundaries between mental health and mental illness are shifting, frustrations are emerging, which puts doctors and patients even.

The film is about Serbia during the transition. Kruška (Milutin Jeremić), a delinquent and an orphan, after escaping from the correctional facility in Kruševac returns to his old neighborhood - Čubura. He lives with his friend Bata (Jovana Trojanović) and her older brother Pit (Oliver Conić), a failed boxer, who in the meantime has become a petty dealer and drug addict. Pete has problems due to debts to his suppliers, but also heroin addiction. He directly involves Kruška and his younger sister in his problem.

The story of first and last sexual experience.

The film uses an alternative shooting method, the so-called staring camera, two years before the same method used by Andy Warhol and two years before the use of similar methods at the GEFF in Zagreb. The tape is connected in a circle, like an endless tape.

The symphony of hands “DV Essay in Three Digital Movements,“ dedicated to “VORKI,“ inspired by Vorkapic's concept on visual and sound film structure amalgamation. Visual material is presented by the Italian renaissance masters' works (to John Purcell's' music), Serbian medieval frescoes (to Stevan St. Mokranjac's music) and contemporary photographs (to Charles Mingus's music).

Fedja, drummer in a funeral orchestra is living with his son Nikola, drummer in a heavy metal band.

A lonely white flower grows surrounded by other plants and every day he struggles to survive.

Bitter poetry of everyday life in the isolated hills of Eastern Bosnia shows the care and intimacy of the grannies, both in their mutual relations and in relationship with nature.

The story of nine years old boy Ivan, his pet hamster and Yuri Gagarin.

A short experimental film.

Contemporary urban melodrama about three young couples who experience emotional crises and turning points in their relationships due to the circumstances in which they find themselves. The earthquake connects three stories in the same city in a cathartic way.

The story of a single mother who, in a small multi-ethnic environment, between work and motherhood, finds time for volunteer work in the Red Cross.

After recent political changes in Serbia, many streets in Belgrade named after persons and events of the World War II, changed their names. The film depicts the work of the Street and Squares Commission, appointed by the city of Belgrade, as well as reactions of individuals and groups impacted by recent changes.

Experimental short film from Yugoslavia. A woman and a man are making out on a bed, when suddenly an odd fellow with a chandelier enters the room. Suspense grows as they have a drink together...

Based on 9.5 mm found footage filmed by a Belgrade cine amateur between the two world wars, this film looks into the private family archive as a reflection of Yugoslav history. Following the life of his family in the country that was rebuilt and disappeared again, it confirms the words of Claude Simon that "although it repeats itself - history should be repeated by every individual in his generation".

Film consists of shots of Belgrade Zoo, animals inside it, and the medieval fortress it was built within. Features a bizarre soundtrack of experimental music. It also features cinematography by Ratko Vladic, famous Serbian cinematographer.

In the summer of 2005 a sensation appeared on domestic social networks in the form of a blog titled “Maja in a brothel.” The author of this blog, whose nickname was “sexymaja”, identified herself as a girl from Belgrade, who has just started in the prostitution business. She soon became one of the most popular persona on the web, entertaining numerous readers with witty and provocative descriptions of the clients she had met. However, after her mysterious disappearance from the scene, suspicions were aroused about the identity of this person. The blog community points a finger at a ghostwriter, who was allegedly responsible for the entire conspiracy. He admits it, but without much hesitation also leads us to its inspiration – a girl who’s actually lived through it all.

The head of the family, Maksim Obad, has a problem with the authorities, because he betrayed a friend, which took Dimitrije to labor camp. Maksim’s life wish is to build a family tomb and to specify in his will that after his death half of the estate is sold and transferred to the family of his former friend and victim. This decision does not please his son and daughter-in-law, who are afraid that old Maksim's conscience will deprive them of their inheritance.

Near Čačak, in the village of Rošci on Kablar, there is a small population, mostly elderly, residing in the tavern called “Kod Odže”, where the spirit of the village is preserved. The tavern serves as a central gathering place and hub of activity, where its regular visitors exist and create art out of leisure. Time at “Kod Odže” has no definition or duration; it exists in the present moment and becomes unique in that way.

Sky Lines is a formalist film that evokes, via repetition and an extreme sound design, a death driven fear of nothingness, of the end of things. As formal sets of choreographed lines slowly dance across the screen, space and perception alter continuously and a sense of suspense and instability manifests itself. In Nadine Poulain’s film ‘Sky Lines’ the awful is not seen, but the sensational Lucifer is there nonetheless. He is waiting just around the corner for all of us. This is our anxiety; something Jacques Derrida has coined ‘Hauntology’.