Akademski filmski centar / Dom kulture studentski grad

The film is about Serbia during the transition. Kruška (Milutin Jeremić), a delinquent and an orphan, after escaping from the correctional facility in Kruševac returns to his old neighborhood - Čubura. He lives with his friend Bata (Jovana Trojanović) and her older brother Pit (Oliver Conić), a failed boxer, who in the meantime has become a petty dealer and drug addict. Pete has problems due to debts to his suppliers, but also heroin addiction. He directly involves Kruška and his younger sister in his problem.

Fedja, drummer in a funeral orchestra is living with his son Nikola, drummer in a heavy metal band.

Contemporary urban melodrama about three young couples who experience emotional crises and turning points in their relationships due to the circumstances in which they find themselves. The earthquake connects three stories in the same city in a cathartic way.

The film uses an alternative shooting method, the so-called staring camera, two years before the same method used by Andy Warhol and two years before the use of similar methods at the GEFF in Zagreb. The tape is connected in a circle, like an endless tape.

In the form of an anthology film on psychiatric subject, it offers reflection on various situations that occur in the waiting rooms and hospitals of a psychiatric institution. Time flows differently there, the boundaries between mental health and mental illness are shifting, frustrations are emerging, which puts doctors and patients even.

The symphony of hands “DV Essay in Three Digital Movements,“ dedicated to “VORKI,“ inspired by Vorkapic's concept on visual and sound film structure amalgamation. Visual material is presented by the Italian renaissance masters' works (to John Purcell's' music), Serbian medieval frescoes (to Stevan St. Mokranjac's music) and contemporary photographs (to Charles Mingus's music).

The film follows the fate of residents of Belgrade's workers' settlement Makis, a once-industrial neighborhood declared a tourist zone, despite inadequate urban and communal and environmental conditions. Through their portrayal of citizens' initiative to appeal to the city authorities to improve the living conditions in Makis, their internal disagreements and individual life stories in the film subtly and impartially reflect the transition process, the remnants of the socialist legacy, and the hints of the capitalist present.

An unknown film director is trying to make a documentary film about a transvestite. A transvestite commits suicide on camera. The film remains unfinished. The unknown film director still goes to the cinema for the premiere of his film.

A film by Igor Toholj.

In the summer of 2005 a sensation appeared on domestic social networks in the form of a blog titled “Maja in a brothel.” The author of this blog, whose nickname was “sexymaja”, identified herself as a girl from Belgrade, who has just started in the prostitution business. She soon became one of the most popular persona on the web, entertaining numerous readers with witty and provocative descriptions of the clients she had met. However, after her mysterious disappearance from the scene, suspicions were aroused about the identity of this person. The blog community points a finger at a ghostwriter, who was allegedly responsible for the entire conspiracy. He admits it, but without much hesitation also leads us to its inspiration – a girl who’s actually lived through it all.

Video art animation with abstract screens with background rock music.

A futuristic fairy tale about balance in nature. The girl has a hobby of collecting insects. One night a romantic visitor shows up. By engaging in a harmless romance, in which a twist occurs, the girl experiences a fatal fate.

A lonely white flower grows surrounded by other plants and every day he struggles to survive.

After recent political changes in Serbia, many streets in Belgrade named after persons and events of the World War II, changed their names. The film depicts the work of the Street and Squares Commission, appointed by the city of Belgrade, as well as reactions of individuals and groups impacted by recent changes.

The head of the family, Maksim Obad, has a problem with the authorities, because he betrayed a friend, which took Dimitrije to labor camp. Maksim’s life wish is to build a family tomb and to specify in his will that after his death half of the estate is sold and transferred to the family of his former friend and victim. This decision does not please his son and daughter-in-law, who are afraid that old Maksim's conscience will deprive them of their inheritance.

Experimental short film from Yugoslavia. A woman and a man are making out on a bed, when suddenly an odd fellow with a chandelier enters the room. Suspense grows as they have a drink together...

Irreverent experimental short film.

Bitter poetry of everyday life in the isolated hills of Eastern Bosnia shows the care and intimacy of the grannies, both in their mutual relations and in relationship with nature.

Short film about heroic female dog of Sergei Yesenin.

Moonlight is an experimental film. It was made by playing with different video techniques, which synthesised with the music, capture the dance of the moon and the night shaddows on the path where they meet and touch in the process of cosmic blending.