Company

Didi, a Hungarian noblewoman who survived war and communism, has lived in Salento for years, cared for by Vita, a young woman from Puglia. She spends her final days amidst memories, guilt, and friendship, searching for peace.

November 1980. Southern Iran. We are at the beginning of the Iran-Iraq war. Abadan, the capital of the Iranian petrol industry resists the repeated assaults of the Iraqi army, but is soon under full siege. Omid, a 14-year-old boy, has stayed back in the city, with his grandfather, waiting for his elder brother to come back from the frontline. Along with Omid, we discover several other uncommon characters, each one having stayed for a personal reason. Each one resisting in his own way. But as the Iraqi siege of the city hardens, Omid has to quickly find a way to save those he loves.

A mentally challenged man spends his days working as an artist's model and visiting the now-occupied house of his childhood, where his beloved guava tree sits.

Mourning his boyfriend Frédéric's death from an overdose, the French filmmaker David Teboul goes to Siberia on a ritual journey. Out here, under the enormous dome of the skies, he finds the free space to disentangle his thoughts again. And in the villages, both young and old people unexpectedly turn out to be prepared to respond to his invitation to talk about an event that changed their lives. Life, death, love and existence.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Teenagers have always experimented with their sexuality, progressing from touching and kissing, to heavy petting, to full sex. But in an age where pornography is omnipresent and sexting common in schools, have the rules of engagement changed? Young people between the ages of 12 and 23 are interviewed about their first sexual experiences. What emerges is an environment of extreme social pressure and a loss of innocence experienced with feelings of fear, shame and guilt.

Everyday digital devices are no longer just tools; they have become gateways to a new multi-layered reality, an exponentially growing augmented universe that we experience largely without a physical connection. As human beings made of flesh, we now spend most of our time in a digital landscape, seeking happiness, wealth, relationships, knowledge, and experiences. What is today’s reality made of?

A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.

A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.

Camille Decourtye and Blaï Mateu Trias are heads of Baro d’evel, a celebrated French performing arts company. When the Festival d’Avignon commissions a new piece from them, they feel the need to find a renewed sense to their existence as artists, partners and parents

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

When reformed ex-smuggler Pamfir returns home to his village on the Ukrainian border after working abroad for several years, he’s determined to earn an honest living and set a good example for his beloved teenage son Nazar. But in a town where corruption runs deep and crime and religion are inextricably linked, his plan is quickly thwarted when Nazar sets fire to the local church in a misguided effort to keep him at home. To pay for the damage, Pamfir must take on one last job for a crime syndicate operating a risky smuggling venture in a place where all the rules have changed.

In 2015, Ossamah Al Mohsen and her son were the victims of a trip on the Hungarian border by a television reporter in her desperate flight from a Syria at war. The cameras captured this moment by scandalizing public opinion. This kick allowed Ossamah, famous soccer coach in his country, to arrive in Madrid and resume his profession. But the rest of his family did not have the same luck. The story of Ossamah allows us to reflect on the survival of thousands of Syrian families trapped in Turkey but also that of Moatassam, Youssef and Muhannad, three promising Syrian footballers who were robbed of the best years of their lives by war.

Ludivine, 15, is facing the juvenile court system. Her judge offers an alternative to being placed in foster care: embark on a three-month walk across Spain. To reflect. To distance herself from her turbulent past. Ludivine accepts. It's the beginning of a 1700-kilometer journey on foot.

Documentary about Indigenous peoples' profound connection to nature and their struggle against deforestation, a grave threat to their way of life and the ecosystem they call home.

Everyone calls him Kev, this pale-looking redhead, who a social worker found, as a child, locked in a bedroom where he had only rays of sunshine to play with. Now a teenager, Kevin suffers from a form of autism so severe that the majority of so-called specialised institutions have long refused to take him in. Clémence Hébert followed him with her camera, from one place to another. She, who is gifted with speech and he, who lives without, tamed each other as peers with a lens as the only medium of recognition, which captures what palpitates, appears, withers, and recommences. A discontinued but living link.

Lyrical video letter by Robert Kramer to his friend Paul McIsaac captured during the editing of “Route One/USA”.