Eurométropole de Strasbourg

Following the death of her younger brother during a police intervention, Malika embarks on a legal battle to ensure a trial takes place. However, her quest for truth jeopardizes the stability of her family.

During Léo’s birthday party, a toy goes missing. The children look for someone to blame.

In the middle of the Siberian taiga, 450 miles from the nearest village, live two families : the Braguines and the Kilines. Not a single road leads there. A long trip on the Ienissei River, first by boat, then by helicopter, is the only way to reach Braguino. Self-sufficient, both families live there according to their own rules and principles. In the middle of the village: a barrier. The two families refuse to speak. In the river sits an island, where another community is being built : that of the children. Free, unpredictable, wild. Stemming from the fear of the other, that of wild beasts, and the joy procured by the immensity of the forest, unravels a cruel tale in which tensions and fear give shape to the geography of an ancestral conflict.

On July 11, 1897, three men - the Swedish engineer Salomon August Andrée and his companions Nils Strindberg and Knut Fraenkel - set off from Spitsbergen for the North Pole in a hydrogen balloon, a daring attempt to conquer the Arctic from the air. Contact is lost after a few days. They are never seen again. Thirty-three years later, on August 6, 1930, a sealing ship makes a chilling discovery on the remote Island of Kvitøya, the northernmost part of Svalbard. The expedition’s remains, bodies frozen in time beneath the snow, alongside journals and undeveloped film material. Ninety-three of the 240 recovered photographs are salvaged. The documentary reconstructs this expedition between delusion and vision, between scientific ambition and human vulnerability as a compelling mosaic of past and present – ​​an archaeological crime thriller about the price of discovery, the beauty of the unknown, and the melting of memory in the ice of time, with a touch of tragic, unrequited love.

Ștefania emerges from years of self-induced amnesia. She reveals the overwhelming memories of her childhood spent in Romanian hospitals due to a misdiagnosis. Now in her 30s, she seeks to reconnect with her alienated body and her inner child Nia through dance. This becomes her new language on the path to healing her wounds and relationship with her mother.

Joe, a young writer, embarks on writing his second book after the runaway success of his first. But Joe is quickly overwhelmed by the remarks of those close to him, remarks that will eventually obsess him until he can no longer turn back...

“The Phantom Fortress” explores the relationship between the Elsau prison and its immediate surroundings. Through poetic and contrasting images, the film questions the presence of anxiety, noise, and stress, while also seeking to understand whether one can truly ignore the presence of a prison when living in its shadow.