Né à Beyrouth Films

A Syrian migrant working as a crane operator in Beirut volunteers to cover a shift on one of the most dangerous cranes, where he is able to find his freedom.

Nada is going home. Or at least she wants to. When she comes back to Lebanon, she realizes she's a foreigner in her own country. But there's still a place she calls home: an abandoned house in ruins, haunted by the presence of her grandfather who disappeared mysteriously during the civil war. Something happened in this house. Something violent. A young woman searching for the truth and discovering herself.

After 20 years apart, Samir a former militiaman who was presumed dead, reappears in the life of Omar, his little brother who has become a bodyguard in Beirut. Between drama and comedy, Samir has to come to terms with a country he no longer recognizes.

Mehdia, an Ethiopian migrant domestic worker in Beirut, loves Ahmed, a Syrian refugee who struggles to survive dealing in second-hand metal scraps, while affected by a mysterious physical condition related to shrapnel wounds exposure during the war. Their love story seems to have no future, but since they have nothing, they can lose nothing. When the opportunity presents itself, they leave Beirut in a hopeful and desperate get-away while Ahmed’s physical condition gets worse and worse.

In 2006, as Israeli shells relentlessly rain down on Beirut, Sariah (13), her older sister Nayla, and their mother take refuge in the mountains, making sure not to mention the war raging in Lebanon. Sharp tensions between the three women soon resurface, and the rivalry between the two sisters escalates when Nayla's boyfriend pays her a visit.

In post-war Lebanon, Ida, a young Lebanese girl, flees her small village and her alcoholic mother and goes to the big city. There, she starts dating a European man not knowing what is in store for her.

Beirut, Lebanon. On the waterfront’s construction site, security agent Raed must prevent passing-by walkers from accessing the seaside. Yet as the horizon becomes each day more stifled by the construction, Raed makes peculiar encounters—mere dreams, or symbols of his desires?