Spectre Productions

Melrick is an unruly young boy who spends his summer in French Guiana at his grandmother's house to escape his turbulent daily life in Stains, France. At the end of his stay, he plays the drum to revive the memory of his late uncle, Lucas Diomar, who died in tragic circumstances. Despite a wave of murders of young men shaking the headlines, Melrick becomes aware of his place in a family destroyed by irreparable grief.

Guinea-Bissau, 1969. A violent war between the Portuguese colonial army and the guerrillas of the African Party for the Independence of Guinea. Nome leaves his village and joins the maquis. After years, he will return as a hero, but joy will soon give way to bitterness and cynicism.

After a devastating earthquake, Nga, an old elephant and probably the last of its species, and Sanra, his mahout, are about to embark on a journey to find the mythical elephant’s graveyard. The group of poachers following them will die one after the other under mysterious circumstances and spells.

The exemplary adventure of Somankidi Coura, an agricultural cooperative founded in Mali in 1977 by West African immigrant workers living in workers' accommodation in France, sheds light on the violence of colonial agriculture and the ecological challenges in Africa today.

Thibault, Isabelle and their son Jeremie board their sailboat Joshua to sail the world and live a new life. The Gulf of Aden is watched over by Somali pirates, and while stopping in Djibouti, the happy family meets Mike, a black they know nothing about but innately trust. Inviting Mike to board the ship, the quartet travels onward in their sailboat…

From Colorado, where he has chosen to live, Fouad Mennana begins to trace his late grandfather - Amara Mennana - an Algerian farmer expropriated from his land and deported to the prisons of French Guiana in 1926.

In Brasília, the modern capital of Brazil, an anteater is found dead by the side of a road, a boa constrictor wanders across the suburbs, and foxes prowl vacant streets. Meanwhile, in the city zoo—home to hundreds of displaced and rescued wild species—the animals look back at us humans.

"Há terra! is an encounter, a hunt, a diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey."

Also Known as Jihadi follows the progress of a young man's journey from France to Syria, and back to France, where he is incarcerated for allegedly joining Daesh. Based on real events, and drawn from thousands of pages of judicial documents, the work employs the so-called landscape theory (fukeiron in Japanese). The character's paths to radicalism are rendered purely through a series of landscape shots filmed at the locations traversed by the subject: a biography determined not by what the subject did, but by what the subject saw, and one that questions how these landscapes reflect the social and political structures that are the backdrop for a journey of alienation and return.

A new production center, maybe set in an undetermined future. What is being produced here? We shall find out by following the given traces. Two pairs of hands trying to untangle themselves. A human sheep virtually cut into pieces. A warm welcome to the authors and actors of their lives. Stories being told, their narrators dissected. When the gates open, those leaving Labour Power Plant have been made fit for the demands of the labour market. The next production cycle begins… People with their own wills, interests, and desires are being equipped with the different physiological, cognitive, psychological, and social core competencies to transform them into human resources. Meanwhile, the management is introducing new methods to enrich the products with the innovative features of ‘self-evaluation’, ‘self-optimisation’, and, most importantly, ‘self-fulfilment’. A series of interventions are performed, leading to an assembly that may appear strange at first sight.

Apiyemiyekî? addresses the genocide of the Waimiri-Atroari people in 1970s, when during the Brazilian dictatorship indigenous lands in the mid-west were invaded for the construction of the national road BR-174 and the installation of a mining company. Illustrations about the period, created by the indigenous population, including children, reveal a traumatic history, referring us to the present day.

The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.

We went to research the conditions of the students in the guerrilla schools in the mangroves. Instead, we soon became ourselves the learners and the first lesson was how to walk. In the mangrove school the learning happens with the whole body.

An experimental documentary film of collective research into creolization, addressing its historical, ontological and cultural forces.

Dui ma? is a game of fragmentary stories. Emergencies. A hallucinatory account of the violent changes in China today, written freehand, in a visual style where one apparition chases the other. Nothing sets in except the feeling of a tremor. François Daireaux draws with this new film a vast social choreography where matter competes with the living with the absent bodies. Landscapes are consumed, cities appear without measure and in the middle the rough ballet of men who seek their place in a too big world. It is sometimes burlesque, often strange and ultimately perfectly chilling. Nothing is lost, everything is transformed.

On present-day Reunion Island, Patrice finds out about his brother's murder from the mouth of his killer. The same day, he is evicted from his own house. Whilst his mother cries out for revenge, Patrice would like to find a home... and keep his mind.

Reflecting on the legacy of Haitian revolutionary Toussaint L’Ouverture, "Ouvertures" follows a collective’s process of translating Édouard Glissant’s play Monsieur Toussaint from French to Creole.

In the dark night, off the Comoros archipelago, Patron learns how to become « Commandant ». Soon he will take his first clandestine passengers to Mayotte.

Detroit. USA. What is left when the mythical capital of the automobile is dying? A field of ruins, old memories of struggle, snow and Motown. And a fire that still smolders, fragile, because some people have not left and are trying to understand as well as to rebuild.