Olga Havlová was the closest and most trustworthy companion of Václav Havel. A friend who was always generous with her time. She was an entertaining host, passionate games-player, mushroom-gatherer, nature-lover, sharp commentator, and courageous and diligent dissident. In 1990 she founded Výbor dobré vûle (Committee of Good Will), which is still doing vital work today.

The story of a Swiss woman and a Czech man, who changed hundreds of lives.

"The whole film talks about the time when I was first locked up, from sixteen till now, I’m 22 now, and during that whole time I was out maybe five months, and I’ve really had it by now. It’s also about why I’d given my life to Jesus Christ and then failed that Jesus in me because I was tempted by earthly pleasures; and it’s also about how every time I’m ready to start a new life, I get locked up again because it’s always too late. It’s just too late. That’s the greatest shame and that’s what it’s about..."

Lada is a product of "educational“ or "corrective“ institutions. Not only is he not educated or corrected, he simply does not understand anything about life. He solves his problems in his own way – by swallowing sharp objects.

A documentary study by Ivan Vojnár featuring people picked at random and famous personalities he has met in the Café Konvikt and other places in Prague. Not unlike figures from a Hrabal story, they represent a very broad range of types— from a mentally handicapped road-sweeper to a philosopher. Each person, even the most seemingly normal, is exceptional in some way. Most speak directly to the camera about their relations, work, simple and difficult problems, democracy, and Czech society in general.

Eva’s home is a small hill called Birdhill on the outskirts of Bratislava. During her childhood, it was still covered with historic vineyards of Maria Theresa and forest; today’s reality is cranes and excavators. In her film, she gets to know its current inhabitants and discovers that each of them lives and dreams a slightly different version of this charismatic place. Even though they live on the same hill, they cannot come together to set limits on the construction that is transforming their home unrecognizably, ruthlessly and at a breathtaking pace.

The heroes of the film came together in a theater troupe—Passengers—and together they prepared a play about how they imagine their lives after leaving the children's home where they grew up. However, reality is much more dramatic than theater.

For twelve years, a film crew has been following the lives of four people who appeared in public in November 1989. Musician Michael Kocáb, dissident Jan Ruml, young participant in the National Avenue intervention Kryštof Rímský, and student leader Martin Mejstřík. The period after November opened up new possibilities, opportunities, and chances for everyone. This unique film project captures their search, their wanderings, their resolutions, and their doubts on the path to finding their own place in the turbulent waters of a transforming society.