Commemorating Singapore's 60th year of independence, Kopitiam Days is a stirring anthology film that weaves together six interconnected stories of human connection, reconciliation, and the enduring spirit of Singapore. More than just a setting, the humble kopitiam becomes a living symbol of community and memory, reflecting our past, anchoring our present, and looking towards our future.

A cop in Singapore investigates the disappearance of a Chinese migrant construction worker who spent sleepless nights playing a mysterious video game.

A television switches on. A mind snaps. A man discovers his murdered wife. As he stares at her lifeless body, the events leading to her death play before him, like in a movie. HERE follows the journey of He Zhiyuan, a middle-aged man who struggles to make sense of his reality. Reeling from the sudden death of his wife, he loses the will to speak and is interned at Island Hospital. There, he meets strident kleptomaniac Beatrice with whom he forms an inexplicable bond. As He adjusts to life within, he is selected for an experimental treatment, which forces him to confront the devastating truth behind his past, present, and future. Meanwhile, a filmmaker visits Island Hospital to document the lives of the staff and patients.

Twelve year old Zaffan lives in a small rural community in Malaysia. In full puberty, she realizes that her body is changing at an alarming rate. Her friends turn away from her when a mass hysteria hits the school. Fear spreads and a doctor intervenes to chase away the demon that haunts the girls. Like a tiger harassed and dislodged from its habitat, Zaffan decides to reveal its true nature, its fury, its rage and its beauty.

Life is not the most fulfilling for sixteen-year-old Meng: Lounging at home with his grieving father on a daily basis, being excluded from his family’s past, and forced into bullying other kids at school. Everything changes when he is thrown into a life-altering adventure that propels him into an exciting unfamiliar landscape.

When ambitious young correctional officer Aiman is transferred to the country's highest-security prison, he catches the attention of the seasoned chief executioner Rahim. Aiman's desire to become the hangman's apprentice is not only professional but born of an unspeakable urge to reconnect with a past that haunts him.

Featuring five short stories of the reflections, interpretations and perspectives as our Singaporean filmmakers go on a journey in search of their cultural roots and how they make Singapore home, the omnibus seamlessly weaves the past and present as generations seek to understand, appreciate, preserve and pass on our heritage.

After the mysterious disappearance of their baby daughter, a young couple receives strange videos and realizes someone has been filming their daily life — even in their most intimate moments. The police set up surveillance around their home to catch the voyeur but the family starts to crumble as secrets unravel under the scrutiny of eyes watching them from all sides.

It is an unwelcome homecoming for Siva, a Singaporean-Indian ex-convict, haunted by a tragedy in his past. Released after eight years behind bars and dejected by his mother’s coldness, he leaves home in search of his ex-wife and daughter. His old friend denies any knowledge of their whereabouts and instead leads him back into crime. Finding him sheltering in ‘void decks’ (the open public access corridors found beneath government-built residential housing in Singapore), the police force him to meet with a social worker; a woman also dealing with her own fears.

Lynn has been living away from her husband Kenji and daughter, enjoying a pseudo-single life in China. In pursuit of freedom, she dreams of building a house in her hometown, now a burgeoning tourist hub. She works closely with Long, a married colleague, and their growing mutual attraction complicates her plans. Facing gender biases and local bureaucracy, Lynn strikes a land deal, causing conflicts between the village councilor and his divorced daughter. As her house nears completion, Lynn realises it has come at the cost of estrangement from her husband, daughter, and even herself.

In 1965, an Indian family, whose men have been loyal servants of the British Royal Air Force, are faced with a life-changing offer of British citizenship as a reward for their years of service. The anglophone father is determined to follow his colonial masters back to England, while his newly-wed son yearns to build a new life in Singapore with his pregnant wife. Their conflict studies the notion of state and identity in a time of post-independence uncertainty.

Ismaya (17), is an introverted student with a peculiar syndrome; his hair grows as fast as half a meter every day. He is a true heir to his late mother, Iswanti’s reputation as a witch. His hair carries healing powers that both he and his tyrannical father, Santoso (42), are unaware of.

In her last year of secondary school, a bright Indonesian student is determined to pursue her education and resist getting married, despite the expectations of her community.

Rosie Wong, a blind woman, shares a retrospective account about the three lives which shaped her life. Taking inspiration from ‘The Giving Tree’, her life is significantly changed by a kind stranger, Pak Cik Tubi Moh Salleh, who helped her get to work everyday for 5 years. Pak Cik Tubi continued this good deed for the next few years, tirelessly helping Madam Rosie.

Beat is turning 40 and finds himself at a crossroads in life. A well-respected professor, he resigned his position at the university a few years ago over his support for the student protesters. Now living quietly in Khao Yai, a small town three hours outside of Bangkok, his life is turned upside down when his best friend Ong comes to visit. Beat finds himself drawn back in to the teenage hijinks that always unfolds when the two of them are together. As the weekend spirals into a drunken ruin, leaving a trail of hurt feelings and broken hearts for everyone involved, Beat is forced to reevaluate his life and the principles he has always tried to live by. Ong however, doesn’t share his best friend’s disappointment. He tells Beat that he cannot just withdraw from life. He has no choice but to live it, mistakes and all.

Shot with Malaysian skinheads in Penang, it’s a meditative fantasy on signs, signals and butterflies, leading to pointed reflections on the relationship between British colonial history and popular culture in South-East Asia

Sixteen-year-old tomboy Choo Xin Yu seems like a misfit when she joins a highly competitive, elite all-girls school in Singapore. But she quickly befriends three others who share her rebellious nature. While the girls struggle to fit in, they pledge loyalty to each other and vow to start a gang as a form of resistance. When their rebellious acts — recorded by the girls on a camcorder — are discovered by their teacher, their lives are upended. What keeps haunting Choo may be more than just the ghost she suspects is in her room.

The young son of a poor "rag-and-bone" man aspires to draw superheroes but goes about it the wrong way by stealing a comic book from the gentle owner of a small Indian provision ("mama") shop. When fate brings them together again, they each discover something much more important...

Intersecting stories of a film school graduate, a cinema-projectionist and a home delivery boy who look for individual hope to adopt with the complex power structure in contemporary Dhaka city.

Two young LGBTQ+ lovers in 1990s Saigon get entangled in the criminal underground and must do battle with dark forces that threaten their relationship and test the limits of their humanity.