Akanga Film Asia

Two young LGBTQ+ lovers in 1990s Saigon get entangled in the criminal underground and must do battle with dark forces that threaten their relationship and test the limits of their humanity.

In her last year of secondary school, a bright Indonesian student is determined to pursue her education and resist getting married, despite the expectations of her community.

Shot with Malaysian skinheads in Penang, it’s a meditative fantasy on signs, signals and butterflies, leading to pointed reflections on the relationship between British colonial history and popular culture in South-East Asia

When ambitious young correctional officer Aiman is transferred to the country's highest-security prison, he catches the attention of the seasoned chief executioner Rahim. Aiman's desire to become the hangman's apprentice is not only professional but born of an unspeakable urge to reconnect with a past that haunts him.

Life is not the most fulfilling for sixteen-year-old Meng: Lounging at home with his grieving father on a daily basis, being excluded from his family’s past, and forced into bullying other kids at school. Everything changes when he is thrown into a life-altering adventure that propels him into an exciting unfamiliar landscape.

After the mysterious disappearance of their baby daughter, a young couple receives strange videos and realizes someone has been filming their daily life — even in their most intimate moments. The police set up surveillance around their home to catch the voyeur but the family starts to crumble as secrets unravel under the scrutiny of eyes watching them from all sides.

A trilogy set in three iconic locations within Singapore's Little India district: Race Course Road, Campbell Lane and Syed Alwi Road. The notion of re-examining history by truth and myth through visual storytelling serves as the inter-connecting thread between the three short films, and the films offer glimpses of Little India through the 19th and 20th centuries.

In 1965, an Indian family, whose men have been loyal servants of the British Royal Air Force, are faced with a life-changing offer of British citizenship as a reward for their years of service. The anglophone father is determined to follow his colonial masters back to England, while his newly-wed son yearns to build a new life in Singapore with his pregnant wife. Their conflict studies the notion of state and identity in a time of post-independence uncertainty.

A cop in Singapore investigates the disappearance of a Chinese migrant construction worker who spent sleepless nights playing a mysterious video game.

It is an unwelcome homecoming for Siva, a Singaporean-Indian ex-convict, haunted by a tragedy in his past. Released after eight years behind bars and dejected by his mother’s coldness, he leaves home in search of his ex-wife and daughter. His old friend denies any knowledge of their whereabouts and instead leads him back into crime. Finding him sheltering in ‘void decks’ (the open public access corridors found beneath government-built residential housing in Singapore), the police force him to meet with a social worker; a woman also dealing with her own fears.

Twelve year old Zaffan lives in a small rural community in Malaysia. In full puberty, she realizes that her body is changing at an alarming rate. Her friends turn away from her when a mass hysteria hits the school. Fear spreads and a doctor intervenes to chase away the demon that haunts the girls. Like a tiger harassed and dislodged from its habitat, Zaffan decides to reveal its true nature, its fury, its rage and its beauty.

Featuring five short stories of the reflections, interpretations and perspectives as our Singaporean filmmakers go on a journey in search of their cultural roots and how they make Singapore home, the omnibus seamlessly weaves the past and present as generations seek to understand, appreciate, preserve and pass on our heritage.

Intersecting stories of a film school graduate, a cinema-projectionist and a home delivery boy who look for individual hope to adopt with the complex power structure in contemporary Dhaka city.

In a repressive city-state, a tomboy schoolgirl persuades three classmates at an all-girls school to rebel by forming a triad gang.

In Singapore, where even vapes are illegal, three rebellious schoolgirls are caught smoking by the principal. Their revenge prank takes a sinister turn.

Commemorating Singapore's 60th year of independence, Kopitiam Days is a stirring anthology film that weaves together six interconnected stories of human connection, reconciliation, and the enduring spirit of Singapore. More than just a setting, the humble kopitiam becomes a living symbol of community and memory, reflecting our past, anchoring our present, and looking towards our future.

Ismaya (17), is an introverted student with a peculiar syndrome; his hair grows as fast as half a meter every day. He is a true heir to his late mother, Iswanti’s reputation as a witch. His hair carries healing powers that both he and his tyrannical father, Santoso (42), are unaware of.

The boundary between viewer and art dissolves in Ho Tzu Nyen’s sublime work, The Cloud of Unknowing. Step inside and find a comfortable space in the room. On a screen, a narrative unfolds, set in a public housing complex in Singapore, where eight characters in eight apartments individually encounter a cloud, embodied both as a figure and a vaporous mist. The film is rear-projected and looped, integrating a complex soundtrack and synchronized steam machines to create a seamless and sublimely atmospheric sense of film/audience permeability. (Sundance Film Festival)

A woman and a little girl find solace and joy during secret stairwell meetings, bonding over playful games.

Rosie Wong, a blind woman, shares a retrospective account about the three lives which shaped her life. Taking inspiration from ‘The Giving Tree’, her life is significantly changed by a kind stranger, Pak Cik Tubi Moh Salleh, who helped her get to work everyday for 5 years. Pak Cik Tubi continued this good deed for the next few years, tirelessly helping Madam Rosie.