Pereda Films

Gloria sells dolls in benefit of UNICEF and is interested in putting on an international show. In a hotel in Acapulco the ranchero Javier, the Muslims Mustafa and Ali, the Brazilian Mr. Carioca and the charro José Lorenzo meet to carry out the project. Among the men there will be a series of entanglements to dispute the love of the young woman.

The film of the thousand dancers, of the enchanting songs, of the sets that are splurge of luxury and beauty.

A 1940 film directed by Ramón Pereda.

Arsenio Lupin is an audacious Parisian thief who mocks the police, especially Inspector Ganimard, but turns over most of his ill-gotten gains to charity. One night, he attends a party disguised as a newspaper writer who also mocks Ganimard; the next morning, the host's wife and a male guest are found murdered, and Ganimard arrives to solve the crime. A Mexican version of the Arsene Lupin character, with Sherlock Holmes tossed in as a cameo at the end.

A 1940 film directed by Ramón Pereda.

When the father of the struggling painter Ernesto passes away, he is left in misery. The banker Julián, a friend of the deceased, intends to help Ernesto: he appoints him as his secretary and takes him to live in his house. There, Ernesto meets Teodora, Julián's wife. People gossip about a supposed love affair between Ernesto and Teodora, who go together, without Julián, to see the opera The Thieving Magpie at the Principal Theater.

Convict breaks out of jail to undo aristocratic crimes involving a fortune in jewels, a servant wrongfully accused of theft, and a dispossessed young heiress.

Rosina is frustrated by her engagement to millionaire John Johnson III, a fussy, domineering, control freak. The night before her wedding, she goes out dancing with her maid María, María's husband Tomás, and their friend Gordillo. When Rosina learns Gordillo is a sailor on the yacht owned by Mexican film star José María Beltrán, she decides to stow away and sail to Mexico to be with her grandmother.

Nightclub entertainer discovers the truth about her birth mother while making the right choice in her love life, choosing the good guy over the slimy, exploitative hoodlum.

In his eagerness, to be movie extras, Tin Tan and his carnal Marcelo police get into trouble, among other entanglements.

Felipe the charro returns and discovers that Rosa is going to marry Martín, a stranger from out of town, and feels betrayed. It is a deception, but love, jealousy, and revenge dominate.