Tempesta

In the Tuscan countryside, a family of traditional honey farmers struggles to make ends meet. The household consists of only daughters—four of them—led by the eldest, Gelsomina, who takes on the responsibilities of the family. When a small boy is sent to stay with them for rehabilitation, their routine is disrupted. As financial troubles threaten their home, Gelsomina sees an opportunity in a reality TV contest searching for 'Italy’s Most Traditional Family.' Willing to expose their secluded life for the prize money, she clashes with her father’s rigid ways in a bid to secure their future.

As a solar storm unfolds, causing power surges and blackouts, a storm of emotions rages within Regina, a spinster referred to as Fräulein, when a childlike sexagenarian checks into her hotel. What should be one night becomes a stormy coexistence all its own.

Set in 1900, Lili d’Alengy, a Parisian cocotte at the height of her fame, flees Paris to hide her “idiot” daughter. There she meets Maria Montessori, who is pioneering a teaching method that may help the child.

Just out of jail, rumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up.

In late 18th century Venice, in a convent school for girls, Teresa, a student with prophetic gifts, joins forces with some amazing music-makers. They create a new kind of pop, bright and bold, and challenge the ancient and rigid system.

After growing up in Switzerland, 13-year-old Marta returns to a city in southern Italy with her mother and older sister. Independent and inquisitive, she joins a catechism class at a local church. However, the games and religious pop songs she encounters there do not nearly satisfy her interest in faith. Struggling to find her place, Marta pushes the boundaries of the class, the priest, and the church.

Naples. Present day. Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city. But one day, young Maria, wife of a ruthless Camorra criminal on the run, and her two children take refuge at the centre, and ask Giovanna for protection.

Overwhelmed by motherhood, Ester steals a caravan and flees to southern Italy with her son David, with an intellectual disability. They meet a young drifter whose open heart transforms their makeshift family into something freer, lighter, and full of unexpected hope.

In Torino, a bittersweet crowd is bringing its own belongings to a pawn shop, waiting for a ransom or the final auction. Between the thousands of faces that tell the human inventory of the crisis, three stories intertwine unconsciously in the thin line of moral debt. Sandra, a young trans, in order to escape her past sells her fur coat. Her gaze will cross Stefano’s, a novice who just started working at the bank, and who drags her towards a tender obsession. Michele, a retired porter, asks for a loan to a family member, who will turn out to be fatally the wrong person to ask a favour from.

Purehearted teen Lazzaro is content living as a sharecropper in rural Italy, but an unlikely friendship with the marquise’s son will change his world.

In the aftermath of a shooting in Naples, Matteo sees all reason to exist crumble. His little boy is dead. His wife, Giuliana, has disappeared. He himself sinks into loneliness and, night after night, in his empty cab, roams the city streets for no reason. But one evening, he lets a strange customer into the car, who offers him a drink in a tiny café as payment for his fare. There, Matteo meets the owner, Garibaldo, the unrepentant priest Don Mazerotti, and above all Professor Provolone, a colorful character, as erudite as he is sulphurous, who makes strange speeches about the reality of the Underworld. And he claims that you can go down there...

A prison drama where an old mobster and a prison guard must find a way to coexist so that imprisonment can become less so, and perhaps reveal the paradox that is behind the very concept of captivity.

As if in a dream, a young girl recounts the story of Orpheus and Eurydice and the questions raised by the myth. Heartsick from suffering, Orpheus descends into the Underworld to bring his beloved Eurydice who has just died from a snake bite back. The magnificent music played by Orpheus convinces Hades, the god of the Underworld, to free Eurydice, but on one condition : on his way back to Earth, Orpheus must not look back at Eurydice. On finally arriving at the gates of the Underworld, already catching glimpses of trees and bushes, Orpheus looks back. Eurydice disappears forever into darkness.

Knight Borek is searching for his missing son. Enthralled by the stories of children's crusades, little Jan has run away from home. Borek's crusade is a journey into his own subconscious, where he is forced to confront his greatest fear.

During WWII, in the days leading up to Christmas, a woman arrives at an Italian Catholic boarding school for orphaned girls with a large cake and a plea for them to pray for her boyfriend, who is having an affair.

Elisa, the daughter of an ordinary family, has been in prison for ten years for brutally murdering her sister. She believes she doesn’t remember what happened, but her fragmented memories begin to come into focus during meetings with the criminologist Alaoui, who is conducting a study on family homicides. The truth that emerges for Elisa is devastating—a pain that may mark the beginning of redemption.

Passionate for climbing, Allegra is victim of a terrorist attack, in which her friends lose their lives. She isolates herself after crushing fear towards people and a burning desire for revenge start devouring her. Her beloved ones are helpless. In order to be able to go back enjoying her life, she will have to face her inner struggles. In doing so, Arad – a young refugee from Middle East – crosses her path. Allegra’s greatest challenge will be regaining trust, especially when the element of diversity is involved.

Benedetta, an obese fifteen-year-old yearning for attention, lives in a tawdry province in the south of Italy, emblematic of her inner landscape where everything could be and yet is not. She falls in love with Armando, aka Amanda, a young transvestite who is attracted to the young girl's innocence and begins an unhealthy relationship of mutual dependence with her. Amanda runs a carousel at the fair across the street from Benedetta's house, and the girl is magnetically drawn to this colorful and exciting world. But Amanda not only runs the carousel, she's also a call boy and sells drugs. Between intoxication and family rebellion and the discovery of sex - a great disappointment - she completes her rite of passage into adulthood.

Carmela, don Gregorio, Gabriella and Lorella have never met but they have a lot in common. In the mid 60's, at the peak of the great migratory wave, alone or together with their families, they arrived in Switzerland, where they lived for a more or less lengthy period. Four different stories that speak of hopes, dreams, and solidarity. But they also tell of closure, xenophobia, clandestinity and exploitation.