Novanima Productions

A 12-year-old boy faces bullying due to his weight and decides to take charge of his life by adopting a healthier lifestyle and trying to win the heart of the girl he admires. Through his journey, he learns the importance of positivity and standing against body shaming, discovering that true confidence comes from embracing who you are.

Under a scorching sun, Charlie is bored out of her mind and dreams of going to the seaside. But she's forced to guard a seedy motel with her cousin Jess, who's slumped in her deckchair. The two teenagers don't get along and bicker at every opportunity. On the radio, the monotone voice of a collapsology researcher predicts the imminent end of the world.

In the 1990s, eight-year-old Agata leaves her Polish homeland to take a bus to Belgium by herself. Anxious about the journey, she begins to write a letter to her father who has stayed behind in Poland. When she drops her pencil and it rolls away, Agata is forced to overcome her shyness. Searching for it, she weaves her way between the rows of seats and plunges into a fantastical world inhabited by strange half-human, half-animal passengers. Agata’s perceptions transform the reality of migration into an imaginative experience of initiation.

On an endless night, the Great One, goddess of the bison, meets the Little One, goddess of the goat. A friendship is born, and with it a new world: the stars, the sun, the earth, and living beings. Animals emerge from the waters, grow, and a lush forest blooms. As the world evolves, the two goddesses are overwhelmed by their power of creation.

Benoît built his paradise hidden from view, emancipated in his own way, resolved to face the constraints of a space which, in imaginations, conflicts with his identity. The countryside. One day, he and other queers from the area decide to organize the first Pride of the Périgord vert, because it is time to come out, to take up space to celebrate, heal, and finally open a path.

Gabrielle, a 19 years old, finds herself stuck near Death Valley between two parents who no longer speak to each other. The three of them, feeling trapped, try to escape the tension, in a huge scenery that feels unchangeable. The situation seems impossible, until an unexpected event comes to unravel everything...

Victim of a terrible plot, Captain Dreyfus was sentenced in December 1894 to deportation for high treason. His wife Lucie made a pact with him: to live, whatever the cost, while awaiting rehabilitation. During five years, the Dreyfus spouses exchanged hundreds of letters. They became a weapon of survival for Alfred. This film is the story of the correspondence of a man and a woman who unwittingly became the unsung heroes of the case that bears their name.

In 1939 a young Romanian woman met a soldier. Love blossomed, but the man was sent to the front. They continued to write passionate letters to each another, but when she had to move they lost contact. She was never able to forget him. Will they ever meet again?

Everybody knows Bibendum Michelin, but nobody knows the artist who hides behind this world-famous logo. O Gallop ( 1867-1946 ), contemporary of Émile Cohl, is an illustrator for the satiric press, poster designer, pioneer for cartoon movies and the graphic creator of the Bibendum. The great-grandson and the director of this movie investigates the universe of the artist.

Jann Gallois is a dancer and choreographer. Her body is her work tool. Always looking for the right movement, she twists it, bends it, stretches it, breaks it. But memories reappear and the body’s memory, excessively in demand, awakens old wounds. How does this dancer, who says she is "passed through by others and by herself", live with her body?

The day of the cremation of her grand mother, Emilie, a young mixed-race Asian girl, buries herself into her grandmother memories. She discovers the Indochina of Hoa, her romantic encounter with Jacques (a French colon), the birth of Linh (Emilie's mother) and her tragic departure to France in 1956. She relives with Linh the arrival into the camp of Sainte-Livrade, the exploitation of the Indochinese women by the market gardeners of Lot-et-Garonne. Between memories, dance, anger and traditional rituals, Emilie learns to accept this heritage.

The filmmaker’s grandmother moved into this house in 1971. When Rolande Ségalini died, everything remained as it was during her lifetime. But what to do with all the accumulated things? As her granddaughter Céline begins to film this material legacy, she realises that her grandmother has remained an enigma to her to this day. Room by room, she inventories, classes, counts, sorts the possessions retrieved from wardrobes, drawers, cabinets and boxes and arranges the objects into new still lives. It is an attempt to understand the deceased woman better and find out more about her. Step by step, the heiress discovers various connections to France’s colonial history.

It's raining in the horned quartet's field. Marguerite, Aglaé, Clarisse and Rosine are grumbling about the bad weather. When it's raining you can't have any fun! Isn't that right Charly?

Between household chores, an elderly couple recounts their life between Vietnam and France during the war to their granddaughter. From their meeting at the age of twenty to the present day, they detail the major milestones in their relationship, talking about exile and immigration, sometimes with humor, sometimes with gravity.

The surprising story of how a french law punishing the failure to assist a person in danger was created by Vichy France during World War II.