Novanima Productions

A 12-year-old boy faces bullying due to his weight and decides to take charge of his life by adopting a healthier lifestyle and trying to win the heart of the girl he admires. Through his journey, he learns the importance of positivity and standing against body shaming, discovering that true confidence comes from embracing who you are.

A routine work trip for married couple Hana and Kornel suddenly turns into an adventurous struggle for survival. In a remote forest, far from civilization, they are forced to face not only the wilderness, but also the fragile terrain of their long-term, stagnant relationship.

In the 1990s, eight-year-old Agata leaves her Polish homeland to take a bus to Belgium by herself. Anxious about the journey, she begins to write a letter to her father who has stayed behind in Poland. When she drops her pencil and it rolls away, Agata is forced to overcome her shyness. Searching for it, she weaves her way between the rows of seats and plunges into a fantastical world inhabited by strange half-human, half-animal passengers. Agata’s perceptions transform the reality of migration into an imaginative experience of initiation.

Between the wars, more than eight hundred young Polish women came to Indre-et-Loire to work as farm maids. Their story has come down to us thanks to the letters exchanged by their social worker, Julie Duval. Louis Clergeau, an artisan photographer, whose pictures are scattered throughout this film, gave them a face and a body. This film bears witness to this little-known part of French immigration and tells the bitter fate of these immigrants in the Touraine countryside, whose story still shakes us today.

Victim of a terrible plot, Captain Dreyfus was sentenced in December 1894 to deportation for high treason. His wife Lucie made a pact with him: to live, whatever the cost, while awaiting rehabilitation. During five years, the Dreyfus spouses exchanged hundreds of letters. They became a weapon of survival for Alfred. This film is the story of the correspondence of a man and a woman who unwittingly became the unsung heroes of the case that bears their name.

In 1939 a young Romanian woman met a soldier. Love blossomed, but the man was sent to the front. They continued to write passionate letters to each another, but when she had to move they lost contact. She was never able to forget him. Will they ever meet again?

The filmmaker’s grandmother moved into this house in 1971. When Rolande Ségalini died, everything remained as it was during her lifetime. But what to do with all the accumulated things? As her granddaughter Céline begins to film this material legacy, she realises that her grandmother has remained an enigma to her to this day. Room by room, she inventories, classes, counts, sorts the possessions retrieved from wardrobes, drawers, cabinets and boxes and arranges the objects into new still lives. It is an attempt to understand the deceased woman better and find out more about her. Step by step, the heiress discovers various connections to France’s colonial history.

At the Riviera, a private apartment building, it’s nap time. The heat is dreadful, but Mr Osganzi and Ms Carmen, true to their habits, are sunbathing near the swimming pool. In his shadowy living room, Monsieur Henriet tries to entertain himself by looking at his neighbours…

Everybody knows Laughing cow but nobody knows who is the artist behind this famous trademark. Benjamin Rabier (1864-1939) is a French illustrator, comic book artist and animator. He became famous for creating La Vache qui rit (The laughing Cow) and Gédéon le canard (Gideon the duck) he is also one of the pioneers of animated films .

The surprising story of how a french law punishing the failure to assist a person in danger was created by Vichy France during World War II.

The story follows two half-brothers, Martin (12) and Jiřík (8), who can´t get along. But when their mother Lada gets gravely injured they set off on a journey to find a magical Firebird whose song can heal her.

Benoît built his paradise hidden from view, emancipated in his own way, resolved to face the constraints of a space which, in imaginations, conflicts with his identity. The countryside. One day, he and other queers from the area decide to organize the first Pride of the Périgord vert, because it is time to come out, to take up space to celebrate, heal, and finally open a path.

On an endless night, the Great One, goddess of the bison, meets the Little One, goddess of the goat. A friendship is born, and with it a new world: the stars, the sun, the earth, and living beings. Animals emerge from the waters, grow, and a lush forest blooms. As the world evolves, the two goddesses are overwhelmed by their power of creation.

In a remote countryside, a retired farmer named Marcel tends to his land and flock of sheep. One day, he suddenly suffers a stroke, and when he returns after recovery, he finds only a single ewe left in the field...

My real name is Lucien Neuwirth, but people use to call me Lulu the Pill-man since I legalized the contraceptive pill.

Under a scorching sun, Charlie is bored out of her mind and dreams of going to the seaside. But she's forced to guard a seedy motel with her cousin Jess, who's slumped in her deckchair. The two teenagers don't get along and bicker at every opportunity. On the radio, the monotone voice of a collapsology researcher predicts the imminent end of the world.

Red boards the train. If she could vanish right then and there, she would. Everything is off, unreal. Memories blend together with the landscape. Time and space collapse. A little girl runs towards a creaking house. Wild grass grows in the train. Red wades through and confronts her past.

Everybody knows Bibendum Michelin, but nobody knows the artist who hides behind this world-famous logo. O Gallop ( 1867-1946 ), contemporary of Émile Cohl, is an illustrator for the satiric press, poster designer, pioneer for cartoon movies and the graphic creator of the Bibendum. The great-grandson and the director of this movie investigates the universe of the artist.