Filmocentro

A Chilean teacher, Ramiro, is sentenced to internal exile in a southern town where tidal waves often appear. He falls for a woman, Maite, whose father asks him to take her away. Although he gets his freedom he doesn't leave and when the water rises, Maite and her father die, and Ramiro flees to the hills.

Niki and his friends are members of the marginalised underclass living on the outskirts of Santiago. During Chile's transition from dictatorship to democracy (1988-1990), they forge a path from drug- and drink-fuelled nihilism and petty crime into the world of market-driven illegality and Niki begins a seemingly predestined relationship with the middle-class "loca", Manuela. Memorable episodes and characters, quotable dialogue and a mix of earthy national portrait and surrealistic flourish make this one of the key Chilean films of the Nineties.

The successful singer Luis Dimas goes along with his driver, known as Takilleitor, touring the cities of Chile. They are joined by two former agents of the Central Nacional de Informaciones (CNI), Chile's national intelligence service during the dictatorship of Augusto Pinochet, who are chasing a kind of wooden parrot containing a supposed political message.