ZAP Producciones

The daughter of an Englishman and an Andalusian woman, Juanita rejects the historical changes taking place in Tangier.She lives alone in this "Paradise lost", surrounded by her sister Elena; Esther, her close friend who dedicates her entire life to an impossible love affair with a Moroccan; and Hamruch the housemaid, who disappears one day without saying a word. The Spanish Civil War, WWII with the arrival of refugees from Europe, and the Moroccan independence finally returns the city to its Arab origins. Juanita's tragedy lies in not realizing that her world is destined to disappear by the destructive and rejuvenating force of History.

"El caso Rocío" narrates the making, prosecution and persecution of the film "Rocío", directed by Fernando Ruiz Vergara and released in 1980, which has gone down in history as the first film judicially seized in Spain already in times of democracy and after the repeal of the film censorship in 1977. A choral story that reflects on film censorship, Andalusian culture, and the Spanish Transition.

Ali Salem Hamudi Mohamed - Yahdih, was born in 1955 in El Aaiún (Western Sahara). He completed his secondary schooling in the "Spanish" Sahara. A scholarship allowed him to enrol at the Universidad de la Peninsula in 1975, but Morocco's invasion of the Sahara led him to return to the city of his birth and go into exile with his people, participating in the resistance and helping to organise the Tindouf Refugee Camps (Algeria). In 1980, the Polisario Front and the Government of Cuba offered him the opportunity to study Architecture at the University of Havana. On his return to the Camps in 1985 he worked for the SADR's Department of Construction. He designed more than twenty public buildings, including town halls, schools and nursery schools, and also collaborated with international aid organisations to build hospitals and training colleges. All of these buildings were built collectively by the Saharan people. ;In 1999 he emigrated to Spain. His family joined him five years later.

t narrates the repression suffered by the local population of Fuentes de Andalucía after the military coup of 1936.