CBA

Events of strange and serious nature mark the invention and the manufacture of the nylon stockings. For example inhuman exploitation of workers in artificial silk factories. The US army was a substantial promoter of the nylons.

This polyphonic film by the Belgian film artist about the history of Europe and art is an unforgettable, sensual journey between memory and nightmare. To a meditative, threatening soundtrack, we hear a series of monologues by poets and crazy people, mothers and children. Meanwhile, the image forces the eye to reflect on what and where.

Brussels, La Monnaie Opera House. Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.

How do humans and animals see each other? Dominique Loreau captures astonishing exchanges of “views” between people and animals who coexist in the city, in farms, slaughterhouses, zoos, museums, or in a dance rehearsal room. In The Eyes Of A Beast questions the permeable boundary between man and animal.

"On the Tip of the Heart" - is a documentary on the St Peter's Hospital in Brussels, structured around seven doors from the maternity to the morgue. This is an opportunity for the director to ask the audience a question, namely: what is there in common between a medieval city, human life and a hospital?

Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.

A chronicle of a year of health crisis. A film that travels to the four corners of the planet to question us about our model of society. The grain of sand is Covid. The gear is the system in which we live. The subject: how could a small piece of genetic code stop our system?

As a letter to her son, the filmmaker testifies her experience as a photographer aboard the Aquarius, a ship that rescued 29,523 people in the Mediterranean between 2016 and 2018.

Marzena Sowa is a quintessential contemporary European: independent, aware of how the world works—or should work—and single. After her mother’s death, she is consumed by longing and sets off for her distant homeland, a Polish village where her beloved aunt Niuszka—an embodiment of joie de vivre and peace with herself—lived her entire life under the heavy weight of patriarchy. The film becomes a collision of social models, resolved with an open ending.

Marie-Thérèse and Christian have turned their town into a ZUT—a Urgent Zones to Transform. They want pesticides gone. Completely. Immediately. And forever. The radical stance of these 'zutists' echoes a growing thirst for change across Belgium. From tiny garden plots to European institutions, from farm to farm, from laboratories to grassroots struggles, ZUT keep popping up—each one revealing just how dependent we’ve become on chemical inputs, and how deeply we long to break free.

A playful, free, and personal film in the form of a letter, a film interwoven with a thousand stories knit together with different textures, a book of images where a filmmaker shows the images and the stories he wants to share.

The Amazon flows lazily through the goldmine-gashed landscape of northern Peru. Using real eyewitness accounts, directors Bénédicte Liénard and Mary Jiménez tell the story of a young woman who winds up in the clutches of forced prostitution when her initially hopeful attempt to escape the constrictions of her village goes wrong. Step by step, she is robbed of her moral and physical integrity. The film reconstitutes a space of dignity and returns voice and identity to a fate formally made nameless. With its powerful imagery, the girl’s traumatic odyssey embodies the destruction of life in a capitalist world in connection with horrific natural devastation.

A personal travel notebook. A travel through Europe in search of thirty paintings of the iconic Christian martyr. The film is conceived as a voyage of initiation, an imaginary reportage... imaginary because without an original image of the Saint, all representations were possible.

This film is the result of more than two years of work tracking down archive material and witnesses close to Mobutu in Africa, Europe and the U.S. More than 950 hours of footage have been seen by the world. Among the 104 hours selected as the basis for this film, are 30 hours of archives recently discovered in Kinshasa and never before released. Completing these exceptional documents, are more than 50 hours of interviews with those close to the former president and the events surrounding his reign, conducted by the director in Kinshasa, Brussels, Paris and Washington. Like a vast historical puzzle, this film pieces together the tragic history of a country, and its self-styled leader - the dictator, Mobutu Sese Seko, "King of Zaïre".

In Ulan Bator, Mongolia, the cur Baatar is shot by a hunter hired by the authorities to get rid off the dogs in the city...

Le Cercle des noyés is the name given in Mauritania to black political prisoners imprisoned from 1987 in the old colonial fortress of Oualata. This film touches on the fragile process of unveiling memories by one of these former prisoners who remembers his story and that of his companions. In a visual echo, the places of their confinement come one after another denuded from any traces of that past.

A summer day in Italy. The camera follows the deaf-mute Giacomo and a childhood girlfriend Stefi closely – in the woods, by the river – without wanting to disrupt the mystery of their relationship, between restrained sensuality and childhood games.

What should we do of former jihadists returning to the country, who have been fed on radical ideologies and extreme violence for the past five years?

Confronted with an unplanned and often interrupted pregnancy, men from 20 to 40 years talk about their feelings and thoughts about such events. Through these stories, director Coline Grando questions the place of a man in the relationship between women and men.