A film miniature to classical music. Chopin's nostalgic music illustrated in the film image with associations with the Polish countryside through poetics taken from 19th century painting. Fields of grain with flowering poppies, a country road with a ladder cart, a thatched cottage, a hearth, a well with a crane and a woman carrying a bucket of water. The images seamlessly intermingle with each other to create a highly evocative story about the passing and transience of moments filled with work from dawn to dusk.

The unusual atmosphere of Fantaisie Impromptu, in which anxiety gives way to subtle reverie, is conveyed through a sequence of dreamlike, poetic scenes. A cloud of black birds emerges from the piano keys. A ballerina dances to the sounds of Chopin's piece; the woman breaks away from the ground and swirls with the birds in the air. The music allows her to transcend the boundaries of the real world.

Animation with coloured salt by Aleksandra Korejwo. Graphic design based on El Greco's paintings. Music by Franz Schubert performed by Kaja Danczowska on violin and Janusz Olejniczak on piano.

Classical animation made with painting technique on celluloid from a series of animated films to classical music.

Animation with colored salt by Aleksandra Korejwo. Music by composer Camille Saint-Saëns performed by the Polish Radio Orchestra.

Animated interpretation of the Bizet opera, second in a trilogy.

Animated interpretation of the Bizet opera, first in a trilogy

Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.

From a series of animated films set to classical music. A film impression set to classical music, created using combined animation techniques. Images harmonizing with the character, atmosphere, and emotional tone of Chopin's atmospheric music are created and transformed to the rhythm of the music.

A miniature film set to classical music. A cart drives down a gray city street. Behind the houses, instead of the sun, a spinning wheel emerges, from which a broken thread falls into a nearby puddle. A little girl runs down the street. Suddenly, she stumbles and falls into the puddle. Tears from the animated houses fall into the puddle. The drops of tears "revive" the thread, which transforms into a fairy-tale skein and weaves a new dress for the girl. A spinner with a spinning wheel appears and weaves colorful strands around everything. Flowers bloom in the windows of the houses, and the gray walls are covered with vivid colors. The girl, carried by the skein, soars above the houses of what is now a colorful town.

A film miniature to classical music inspired by the music of Wolfgang Amadeus Mozart. Praise for the joy of life, synchronously set to the vocalization of Mozart's piece.

A beautifully fluid sand animation inspired by Camille Saint-Saëns' piece, 'Danse Macabre.'

Animation with coloured salt by Aleksandra Korejwo. Music by Johann Strauss performed by the Strauss Festival Orchestra.

A film impression inspired by Paul Cezanne's still lifes and Fryderyk Chopin's music.

Ditto is an idealist. He does not, unlike Lina, his life companion, attach importance to the things around him. Lina, on the other hand, is captivated by objects and all her attention is focused on collecting them. One day all things revolt against Ditto. The objects complain to Lina that it is Ditto who mistreats them and Lina believes the objects. Ditto decides to turn himself into a thing to show Lina their true nature. However, the things are not malicious towards Lina. After a while, Ditto begins to understand that he has lost the war with things.

A film miniature set to music by Robert Schumann. Various faces of women taken from paintings by Leonardo da Vinci, Raphael, Botticelli, Titian, and Ingres show women as muses, ladies, heroines, and lovers. The clash of perspectives on women by artists from different eras and the depiction of women in many incarnations constitute a cinematic attempt to define the essence of femininity—an eternal theme explored by painters of all ages. The film culminates in Mona Lisa's mysterious smile, which is the director's commentary on the constant attempts to capture the ephemeral, the indefinable, and the elusive.

A stonemason Ajio, quiet, honest and conscientious by nature, works on road construction in Lailonia. One day, a hump grows on his back, which quickly turns into Ajio's double. Ajio's double is aggressive, vicious and lazy. He quickly manages to convince those around him that he is the real Ajio. Soon an epidemic of humpbacks affects all the residents of Lailonia. Real people are replaced by their doubles. They are aggressive and imperious. Ajio's double takes over the city of humpbacks. Only Ajio's son manages to escape the city. He hopes that when he grows up - he will return and deal with the humpbacks.

Short film by Jacek Kasprzycki.