Telewizyjne Studio Filmów Animowanych w Poznaniu

The life story of Prince Siddhartha Gautama, who later became known as Shakyamuni Buddha (the Buddha), from the time of his birth until he entered Nirvana.

Etam, a young man from a small town in Lailonia, plucks pears from a neighbor's tree for his friend Nita. He is branded with a red patch on his pants for the theft. It soon turns out that the patch is contagious. Red patches appear on the pants of all Etam's friends. The patches get bigger and the boys wear a big red patch instead of pants. So they decide to pretend that they have red pants. When they come to school, however, the Teacher sees red patches instead of pants. He tells them to return to school only when they have pants. The boys, on Nita's advice, make holes in the patches and sew the real colored patches onto them. To the boys' surprise, the Teacher at school accepts the patched pants. He explains to them that the previous day they had red patches, and now they have patched pants. This is because it is possible to patch pants, while patches cannot be patched.

Short ecological satire animation.

A short animated film by Tamara Sorbian. Music by Wolfgang Amadeus Mozart.

A miniature film set to classical music inspired by the music of Wolfgang Amadeus Mozart. The chessboard transforms into a salon floor, where animated pawns and figures take the shape of court characters and begin their game to the rhythm of a minuet. However, it turns out that the game of chess is replaced by court intrigue – a planted letter leads to a duel over a woman, which is interrupted by the queen's intervention.

A stonemason Ajio, quiet, honest and conscientious by nature, works on road construction in Lailonia. One day, a hump grows on his back, which quickly turns into Ajio's double. Ajio's double is aggressive, vicious and lazy. He quickly manages to convince those around him that he is the real Ajio. Soon an epidemic of humpbacks affects all the residents of Lailonia. Real people are replaced by their doubles. They are aggressive and imperious. Ajio's double takes over the city of humpbacks. Only Ajio's son manages to escape the city. He hopes that when he grows up - he will return and deal with the humpbacks.

In a certain house in the kingdom of Lailonia live brothers and sisters. Each of them has different habits: Gia likes to smoke a cigar with a plume on his head in an armchair, Pepi has to hunt a few toucans before every breakfast, Kaku swallows barrel hoops, Heja wears ordinances on his back, and Hipa lassoes chimpanzees.

Combined animation. Mozart's music illustrates the memories of a man looking at a reproduction of Bernini's sculpture "The Ecstasy of Saint Teresa" hanging on the wall.

Animation in loose matter (colored salts) directly under the camera by Aleksandra Korejwo. Music by Wolfgang Amadeus Mozart from Serenade in G major KV 525, performed by Polish Chamber Orchestra and conducted by Jerzy Maksymiuk.

From the series of animated films to classical music.

From a series of animated films set to classical music.

The film presents a juxtaposition of the author's photographs of Memling's triptych "The Last Judgment." It poses the problem of choosing good and evil. Images of atomic explosions, the rubble of a burned-out city and the mocking laughter of the devil.

A film miniature set to classical music. In the living room, a musical quartet plays a piece by Mozart. The gathered guests, however, are more preoccupied with themselves than with the music. A waiter serves drinks. Distinguished ladies sit in armchairs and are observed by one of the men. His gaze settles on a young woman. Soon, both disappear from the living room. A bored little boy stands among the audience. He tries to slip away unnoticed, but his efforts fail. Nearby, a grandfather dozes in a wheelchair. He is constantly awakened by loud music. A buzzing fly disturbs the solemn mood. Only the musical quartet is completely absorbed in the incredibly lively performance of the piece.

A film miniature for classical music inspired by the music of Wolfgang Amadeus Mozart. The form of a luminous line following the rhythm and tempo of the music creates musical instruments suspended in space. The line runs through a city lit up by neon lights, tracing surreal, abstract shapes, only to transform them into dancing silhouettes a moment later. The sounds of the music change the intensity of the light from white and black to a full range of colors vibrating to the rhythm of the music.

A film miniature set to classical music. At dawn, the outlines of a park are visible. The gate opens, and distinguished strollers fill the park. Musicians take their places in the park gazebo and prepare for a concert. A woman with a dog on a leash, a couple on horseback, and men on bicycles cross a bridge over a stream. Kites appear in the sky. A governess energetically enters the idyllic parkscape, dragging her resisting ward behind her. The boy is clearly in the mood for mischief, which he quickly expresses. In the blink of an eye, the peaceful atmosphere is shattered.

A film impression set to the music of Wolfgang Amadeus Mozart, realized using puppet animation techniques, with the visual layer inspired by the paintings of Giuseppe Arcimboldo.

A miniature film set to classical music. A cart drives down a gray city street. Behind the houses, instead of the sun, a spinning wheel emerges, from which a broken thread falls into a nearby puddle. A little girl runs down the street. Suddenly, she stumbles and falls into the puddle. Tears from the animated houses fall into the puddle. The drops of tears "revive" the thread, which transforms into a fairy-tale skein and weaves a new dress for the girl. A spinner with a spinning wheel appears and weaves colorful strands around everything. Flowers bloom in the windows of the houses, and the gray walls are covered with vivid colors. The girl, carried by the skein, soars above the houses of what is now a colorful town.

A film miniature set to music by Robert Schumann. Various faces of women taken from paintings by Leonardo da Vinci, Raphael, Botticelli, Titian, and Ingres show women as muses, ladies, heroines, and lovers. The clash of perspectives on women by artists from different eras and the depiction of women in many incarnations constitute a cinematic attempt to define the essence of femininity—an eternal theme explored by painters of all ages. The film culminates in Mona Lisa's mysterious smile, which is the director's commentary on the constant attempts to capture the ephemeral, the indefinable, and the elusive.

A film about art. Unusual compositions of images give familiar objects a new look.

Classic animation made on celluloid from a series of animated films set to classical music.