Telewizyjne Studio Filmow Animowanych w Poznan

An animated film in loose material set to music by Johann Sebastian Bach. The imagery in the film is inspired by the magnificent interiors of Gothic cathedrals (Reims, Chartres). The composition of the film follows the principle of viewing a Gothic cathedral: first, the author shows the facade, then "enters" the interior and shows the lower part of the building emerging from the shadows. Then the camera focuses on the columns and pillars, the niches with reliefs, to reach the magnificent rose window crowning the nave. The bright light falling into the interior makes the real shapes disappear and is replaced by light, a symbol of lasting spiritual values.

Ditto is an idealist. He does not, unlike Lina, his life companion, attach importance to the things around him. Lina, on the other hand, is captivated by objects and all her attention is focused on collecting them. One day all things revolt against Ditto. The objects complain to Lina that it is Ditto who mistreats them and Lina believes the objects. Ditto decides to turn himself into a thing to show Lina their true nature. However, the things are not malicious towards Lina. After a while, Ditto begins to understand that he has lost the war with things.

A young raspberry ice cream vendor named Gyom lives with his wife Mek-Mek in Lailonia, in the city of Batum. Since he believes that only older men can get good jobs in Lailonia, he decides to change his appearance. He grows a beard and a mustache, but it turns out that this is not enough to be considered an old gentleman. So he buys a bowler hat, glasses, an umbrella and wellingtons. He becomes an old gentleman and thanks to this he gets a job in a hotel as a "removalist" of flowers from vases.

From a series of animated films set to classical music. A film impression set to classical music, created using combined animation techniques. Images harmonizing with the character, atmosphere, and emotional tone of Chopin's atmospheric music are created and transformed to the rhythm of the music.

A beautifully fluid sand animation inspired by Camille Saint-Saëns' piece, 'Danse Macabre.'

The unusual atmosphere of Fantaisie Impromptu, in which anxiety gives way to subtle reverie, is conveyed through a sequence of dreamlike, poetic scenes. A cloud of black birds emerges from the piano keys. A ballerina dances to the sounds of Chopin's piece; the woman breaks away from the ground and swirls with the birds in the air. The music allows her to transcend the boundaries of the real world.

From the series of animated films to classical music.

Stanislaw Ignacy Witkiewicz, better known as Witkacy, enivsages the future horrors of the Polish nation, as embodied by Stalin and Hitler, and the world collapsing into chaos.

From a series of animated films set to classical music. Classical animation created using painting techniques on paper and celluloid. A montage of four parts from 1991–1995.

Animation with colored salt by Aleksandra Korejwo. Music by composer Camille Saint-Saëns performed by the Polish Radio Orchestra.

A miniature film set to classical music inspired by the music of Wolfgang Amadeus Mozart. The chessboard transforms into a salon floor, where animated pawns and figures take the shape of court characters and begin their game to the rhythm of a minuet. However, it turns out that the game of chess is replaced by court intrigue – a planted letter leads to a duel over a woman, which is interrupted by the queen's intervention.

A film miniature set to classical music. The theme of the musical piece serves as a pretext for an allegorical tale about the conception of life and human maturation. A colorful butterfly flies out of the pupil of an eye and merges with a man's face. Another butterfly lands on an orchid flower, merges with it, and then turns out to be a woman's face. The butterfly-shaped faces merge with each other. After a moment, the camera follows a tiny seed rushing deep into matter. The seed grows dynamically and transforms into a human embryo. From this moment on, the images on the blocks – puzzles – change very quickly: they show life from the birth of a child, through taking its first steps and discovering the world, to reaching full maturity.

A film miniature set to music from Antonio Vivaldi's concert The Four Seasons. The seasons are linked in film impressions to periods in human life. The film refers directly to the theme of autumn in relation to man and his "autumn" season of life. During this period, despite a certain stability, people try to be active and creative. To this end, they draw on their wealth of experience and mature reflections. However, memories increasingly creep into their daily routine of intense work. They want to capture the color and mood of these memories and preserve them in their minds through associations with music.

A film miniature for classical music inspired by the music of Wolfgang Amadeus Mozart. The form of a luminous line following the rhythm and tempo of the music creates musical instruments suspended in space. The line runs through a city lit up by neon lights, tracing surreal, abstract shapes, only to transform them into dancing silhouettes a moment later. The sounds of the music change the intensity of the light from white and black to a full range of colors vibrating to the rhythm of the music.

From the series of animated films to classical music.