Les Films de la Pléiade

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

A tragic spin on the futility of revolution, in cinema and elsewhere.

An intimate cinéma vérité style documentary following french mega star Johnny Hallyday's summer tour.

Dedicated “to the exiled, proscribed, expelled, banned,” this montage of documentary images codirected and written by Jean Cayrol—a former deportee who wrote the commentary for Alain Resnais’s Night and Fog —makes the Spanish Civil War a synecdoche for all forms of brutal exclusion.

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

A report on this extraordinary boom town that owes its fortune to oil.

Serge follows Hélène in the crowded streets of Paris and manages to seduce her. Werther takes Sophie to her dentist, Raoul, who tries to seduce her too.

Charlie is a former classical pianist who has changed his name and now plays jazz in a grimy Paris bar. When Charlie's brothers, Richard and Chico, surface and ask for Charlie's help while on the run from gangsters they have scammed, he aids their escape. Soon Charlie and Lena, a waitress at the same bar, face trouble when the gangsters arrive, looking for his brothers.

"Mammy Water" is mother sea, source of food. Jean Rouch filmed this short documentary in the Gulf of Guinea, in Ghana, where is held a colorful festival, the Chama, in which the participants offer cassava, gin and tobacco to the spirits of water and sacrifice a white ox to thank them and express their gratitude and respect.

Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.

During a desultory night on the town, two men talk about their experiences with women. One of them disparages his ex-wife, while the other is enamored of the prostitute he was with earlier in the evening. Without realizing it, both men are talking about Janine.

Annie is a middle-age wife, still sexy and pampered by her husband, Phillippe, who is the owner and general manager of a dynamic company. Under the deluge of sexy Swedish movies, sexy advertising on the streets, sexy intimate clothing in ladies' shops, and even talks about sex and marital infidelity with her mother and female friends, Annie starts feeling left aside by her husband, and trying to attract in a number of ways - and failing. It's not the all-purpose secretary at the office that is keeping him late, it's a tax expert that, asking the most innocent questions, is finding out how Philippe can manage a company without profits, and still manage a home, may be two... with high quality levels.

A short documentary on the chateaux of the Loire in France was commissioned by the French Tourist Bureau.

A young woman wins a typing contest and sets off to work in Paris.

This short features a man who is visited by his ex-lover. The moment she arrives, the man starts his constant barrage of speech; the woman doesn't say much. She just mocks the man and pretends she isn't listening. She pulls faces at him and larks about; while the man is trying his best to get her back in his life, then in the next sentence he says he hates her.

An African travels to Paris to learn about the construction of tall buildings, but is soon taken up with the oddities of French life.

In a comparative study between different forms of calligraphy, the film traces parallels between modern Japanese painting and traditional Japanese writing.

A example of Jean Renoir's talents as a director as he works Gisèle Braunberger into the right frame of mind.

Sagamore Noonan lives in seclusion on a farm in Alabama, where he distills moonshine during Prohibition. He receives a visit from his brother Doc Noonan and his son Billy. A young stripper and her gangster boyfriend come to disturb their peace.

Winner of the prestigious Prix Louis Delluc in 1958, "Moi, un noir" marked Jean Rouch's break with traditional ethnography, and his embrace of the collaborative and improvisatory strategies he called "shared ethnography" and "ethnofiction". The film depicts an ordinary week in the lives of men and women from Niger who have migrated to Abidjan, Côte d'Ivoire for work.