Studio Filmowe Tramway

Mateusz is an intelligent, romantic young man tragically trapped inside his own body, suffering from severe cerebral palsy that makes speech and controlled movement nearly impossible. Born into a loving family, Mateusz’s protected world is shattered when circumstances place him in an institution where he is misunderstood and mistreated. Featuring an astonishing, virtuoso lead performance, Life Feels Good beautifully recounts the true story of one man’s extraordinary efforts to endure in the face of impossible odds.

A man returns home after a long time. The house is in a bad shape, ruined with graffiti on walls, but it doesn't stop him from staying in. The man has an aim that requires complex preparations. The house has however already a new inhabitants that start to influence the man's performance and to mingle with silhouettes from the character's recent past, spent at the Central Asia border. Are the war prolonged tension and the man's shattered emotionality possible to overcome, so that he may really re-locate in a peaceful surroundings of his home-village?

An atmospheric coming-of-age story featuring an imaginative young boy named Marek who dreams of escaping an increasingly dangerous Poland on the eve of war for beautiful Venice.

Teenager Kacper falls in love with a girl he met online and decides to find her.

A story, warm and full of humor, about Maszenka, an 11-year-old girl from an orphanage in the Bieszczady Mountains who loves ballet. The first stage on her road to fulfilling her dream is the entrance exam to the ballet school in Gdansk. To make it there in time, she escapes from the orphanage, taking newly hired educator Kordula with her. They travel all the way across Poland, hiding from the police and meeting people who help them in need.

Adult Robert is forced to live with his overprotective mother and her two sisters. It quickly becomes apparent that all three are crazed murderers.

Ethnoresidue is a video work made for Tramway TV that weaves textual and visual threads around an existing conversation with Kaur’s maternal grandmother that formed part of her book Be Like Teflon, 2019. Grounding itself in Pollokshields, Glasgow, a site of family and the cities south asian community, Kaur expands on the complexities and intimacies of identity, belonging, reckoning with histories and their entanglement in colonial structures that persist.