Preta Portê Filmes

​Nádia is a transvestite who wants to be a mother. She will be a mother. She is a mother.

Alfonso is an old farmer who has returned home to tend to his son, who is gravely ill. He rediscovers his old house, where the woman who was once his wife still lives, with his daughter-in-law and grandson. The landscape that awaits him resembles a wasteland. Vast sugar cane plantations surround the house, producing perpetual clouds of ash. 17 years after abandoning them, Alfonso tries to fit back in and save his family.

Joana suffers from a double personality and is obsessed with Anna Karenina, the character from Tolstoy's novel. Embodying the myth of Narcissus, Anna K. is the image and resemblance of Joana, stronger and more seductive.

Armed with music and a message, influential hip-hop group Racionais MC's turned their street poetry into a powerful movement in Brazil and beyond.

Leo celebrates his tenth birthday. From one grandmother, he receives socks, from the other, underwear. From his Grandfather, Leo gets an old Super-8 camera and with it he tells us of his attempts to change the gifts. While doing that, he finds out that Monica Lewinsky is Jewish, that Clinton is the president of America, that the numbers in his grandparents arms are responsible for him being chubby and that this old camera is worthless.

Joana has the same dream as all young Brazilian girls in the 80s: she wants to be a Paquita, a dancer on Xuxa's TV show. Her family is wealthy, and will support her. However, there is a problem; she is black and Xuxa never had a black Paquita on her team.

Cidade Correria is Brazil pulsating and radically collective. Encounter with the overflowing of everyday urgencies, contradictions and potencies through the voice and birth of Coletivo Bonobando.

Ruth de Souza inaugurates the existence of black actresses on stage, television and cinema in Brazil. She carries within her the genesis of an important part of the achievements for black women over almost a century of life. At the age of 95, surpassing 70 in her career, amidst reflections and memories, a dialogue was born between two generations of black artists, Ruth and the director.