Studio GDS

The film begins with a part of the title disappearing through a cut in its center, cutting through the middle and producing a movement from right to left, revealing a room occupied by a child and her black maid. This is followed by an uninterrupted series of animated images, a kind of fleeting moment or painting that continually transforms, until it becomes a copy of Edouard Manet’s Olympia (1863). The second part begins with the title’s next part, which disappears just like the first one, setting in motion a reverse movement, from left to right, where images related to the first part, out of focus or from other points of view, arrive, ending with the reproduction of Félix Vallotton’s La Blanche et la Noire (1913).

The story of Cinderella is modernised. Cinderella dreams of clouds and ends up fleeing by plane with her Prince Charming. The image is animated simultaneously at various speeds (decor, moving elements, characters) in connection with the sound tape played by Georges Schwizgebel on the piano. It is an intelligent variation on a well-known story with which the viewer can identify

The return of three Anglicizied natives people to their county or the beginning of a meeting with the modern world that will destroy them.

A man exchanges his shadow for wealth, then, disappointed with the result, he has to be content with the seven-league boots, which will help him to find his way.

The story of a young deer deceived by appearances, or how a good deed in haste can be the cause of a tragedy.

A handsome young man trades his soul so that his portrait ages while he stays eternally young.

While on an airplane, a traveller's spirit plunges into a dream world. Here, under the influence of the unknown, the logic of his desires prevails, and a romantic saga takes shape.

A cat and mouse chase through five different animation techniques.

Through paintings that interact on the principle of Russian dolls, we are drawn along the swirling path of the thoughts of a pilgrim, a solitary walker.

A father is riding with his son through the forest. The sick child thinks he sees the Erlking, who both charms and frightens him. Based on Goethe's poem "Erlkönig" and the music of Franz Schubert and Franz Liszt.

‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.

In Kyoto, it is in the middle of summer and the O-Bon festival is approaching. Everyone eagerly awaits this annual event, because it is well known that wishes come true. Most of them want wealth, beauty and health. Except Nashi, a homeless man who pollutes the air with his body odour to the point of becoming more and more of a public hazard. His only real wish is to bathe in a public bath.

Between a wave’s rhythm and the breath of a young woman in her sleep, some animated paintings go on modifying each other.

Movement within a painting, which begins with the savagery of a battle and comes to a halt in a rendition of a masterpiece of the 15th century – The Battle of San Romano by Paolo Uccello.

A man brushes his teeth and goes to bed, but again and again his sleep is disturbed...

A work of visual art that borrows from music the principles of the fugue, with the sudden flight of a man to his hotel room as its main theme. Where he dreams.

A visual and musical game which builds and destroys itself according to the vivacious rhythm of Serge Prokofiev’s Scherzo to Piano Concerto No. 2.

The slow construction of an image, to the rhythm of steps, ends when the monster meets his Bride.

A young girl, cutting her bread, cuts herself. She runs to the chemist but he has just been murdered.