Cinnamon Production

Exiled unjustly, convicted without trial, slandered without cause. Man of God depicts the trials and tribulations of Saint Nektarios of Aegina, as he bears the unjust hatred of his enemies while preaching the Word of God.

An omnibus film on children's rights and the problems that the youngest members of our society have to face. Each story tackles a specific theme and has its own hero.

Stanko (30) has to kill a man, for the first time. The same day, his younger brother Vojo (16) has to have sex for the first time. Roads of the two brothers will cross the same day several times, in an unusual way

In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.

A cinematic story of drama after the drama and war that rages on in people's hearts even after the war. The hero, an Orthodox Christian monk, finds himself on a road to spiritual healing through circumstances he could never have dreamed of. The story follows the path to spiritual uplifting, metaphorically introduced at the very beginning in the hero's walk to the secluded hermitage. The leitmotif of watering a dry, dead tree, repeated throughout the film, illustrates the absurdity of the monk's faith. The permanent paralysis of the characters after the torment of war invokes forgiveness as the only means to ultimate healing.

The wife of a successful construction manager has disappeared after an ordinary morning in Belgrade. He is assured she will come back and continues with life, as usual. But, maybe she is just the first of the collapsed dominoes.

David, a blind, deaf and dumb writer, goes to occupy a hotel where tragic events have taken place together with his two assistants Simona and Pio. He will soon come into contact with an evil presence.

A film of the state of mind, great reflections and even greater decisions made in a little village shaped by the long-standing customs and tradition. The story follows the life of a husband and wife, Drago and Persa, who lost their son ten years ago. Their plan of fake death and staged funeral will take their son's murderer back to the village after a decade of hiding in fear of revenge. Drago, hidden in the mill with the help of his wife, plans to take the final revenge, but the solitude of several months has changed his, up until then, firm decision. Is it desire for revenge stronger than desire for life? Is it possible to forgive and close the cycle?