Propaganda Productions

Tunis, summer 2010, a few months before the Revolution: Farah, 18 years old, has just graduated and her family already sees her as a future doctor. But she doesn't have the same idea. She sings in a political rock band, has a passion for life, gets drunk, discovers love and her city by night against the wishes of her mother Hayet, who knows Tunisia and its dangers all too well.

Torn between the life he thought he could leave behind in Tunisia and the life he’s created for himself in Marseille, a man finds himself at a crucial crossroads, in Nejib Belkadhi’s latest.

Larger-than-life characters populate director Nejib Belkadhi’s spellbinding combination of film noir and magic realism, which follows a downtrodden orphan — now grown but still saddled with a cruel nickname — who has a reversal of fortune and takes on the thugs who control his ghetto.

A winter night. A crucial game. Two countries compete for the only qualifying ticket for the FIFA World Cup. A man is driving his car through deserted streets. Two policemen on patrol are following the game on their car radio, until the transmission is interrupted.

Life under lockdown: Sara works from home, helping people distressed by COVID-19. Her husband Kais needs constant antipsychotic medication but has run out of his supply. Outside, the city is like a ghost town. How will they survive this confinement without sinking into depression? Can their marriage ever return to normal?

Awaking from a 300 year sleep, three spirits are faced with a very, very big choice.

Documentarian Nejib Belkadhi trails amateur Tunisian filmmaker Moncef Kahloucha as he makes his latest feature, Tarzan of the Arabs.

After the accidental death of her taxi-driver husband, Salma decides to become master of her own life by taking over his taxi. She comes up against the Kafkaesque procedures of Tunisian bureaucracy and the offhandedness of the insurance industry, but refuses to let go and is not intimidated by anything. With quiet determination, she also faces the conservatism of her in-laws who, under the pretext of morality, continue to dictate the way she should behave. In order to create a better future for her daughter but also for herself, Salma is locked in a daily struggle with the world around her.