Jeva Films

Liam, an aspiring and ambitious young writer, eagerly accepts a tutoring position at the family estate of his idol, renowned author J.M. Sinclair. But soon, Liam realizes that he is ensnared in a web of family secrets, resentment, and retribution. Sinclair, his wife Hélène, and their son Bertie all guard a dark past, one that threatens Liam’s future as well as their own.

Daniel has kept the keys to all the places he’s ever lived. Lena wants to use them – for a wild weekend getting to know each other intimately in other people’s homes. But what begins as a risky fantasy soon becomes a deadly threat.

Rob is grief-stricken following the death of his girlfriend Nina, but after a failed suicide attempt he begins to move on from the tragedy and falls for his colleague Holly. Holly loves Rob and tries to help him through his grief – even if it means contending with Nina, who comes back from the dead, bloody and broken, every time they make love.

Unhappy in their marriage, Suzanna and Andrew buy a male sex robot called James, who consequently uncovers the deep fractures in their relationship.

On Our Doorstep delves deep into an aspect of the refugee crisis that rarely reached the press. With NGOs being blocked by red tape and the absence of any positive action by French or British authorities, the film is a behind-the-scenes look at the unprecedented grassroots movement that rose to aid the refugees in Calais, and the community that sprang up there, before it was forcefully demolished. This is the story of what happens when young and inexperienced citizens are forced to devise systems and structures to support 10,000 refugees; and are left unguided to face the moral and emotional conflicts, blurred lines and frequent grey areas of giving aid to vulnerable people. People who do not want to be there. It questions whether the aims of the volunteers were met, and whether these aims ultimately served the refugees' needs.