Greek Film Centre

In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.

After twenty years away, Odysseus washes up on the shores of Ithaca, haggard and unrecognizable. The king has finally returned home, but much has changed in his kingdom since he left to fight in the Trojan war.

Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the uber-controlling parents terrorize their offspring into submission.

New Year’s Eve 1999, Athens: a desperate fugitive armed with a live grenade takes a family hostage and demands to go on live TV as the world counts down to the new millennium. Broadcast in real time, the situation pulls in a young journalist, media executives and a divided police force, as an entire nation watches events spiral toward a tragic and irreversible outcome.

A lonely and excentric man discovers that the murder he fantasizes about has been carried out by a serial killer, and decides to make his fantasies reality and pin it on the suspect.

Katia’s unexpected journey to Istanbul traps her in a chain of adventures enacted on the front of her disrupted childhood. She discovers her mother’s secrets and faces her own inner desires and dilemmas.

A small town in northern Greece: the film begins with Anna’s monolog in a theater rehearsal in a coffee shop. Manos, obsessed with Panselinos (a 13th century Byzantine painter), himself hidden inside a trivial life, watches her. It is the turning point for both of them. Anna, married to an abusive man, is mesmerized by Manos’ paintings and his kindness. They develop a powerful passion

A young woman's struggle to overcome life's economic restrictions in order to meet her true will. She is twenty-three and lives with her mother, a compromise she can no longer stand. Despite her meager economic means, only enough to survive the first two months, she moves out and rents a 45m2 apartment of her own. During these two months of freedom, she explores her true self and approaches a more poetic and liberal culture, for her, a new way of life that slowly unfolds as she rummages through the belongings that the former renter, a guy her age, has left in the apartment.

1863. In a vast and desolate coast, Grand Tour voyagers are seeking Arcadia and the ancient ruins, symbols of an emerging Greek and European identity. More than one century later, the body of an unidentified man lies on the same coast…

A group of young boys must decide whether to buy a TV set to watch the launch of Apollo 11 or visit Uranya to learn about the secrets of love.

Sofia and Eleni and Petros and Alexandros and Despina and Daphne. Familiar, people-next-door types with their obsessions, weaknesses, hang-ups. People who make the daily rounds in search of communication. Sofia, fragile and with no defenses, searches for the scent of life. Eleni tries to combine career and child, making the mistakes she blames her mother Despina for making. Alexandros, a full-fledged adolescent strives to be loved. Petros goes after lost relationships. Characters and the absences of characters. Relationships that are articulated and disarticulated. Through tender glances and open wounds. With an invitation open to all as an antidote. One that we have extended dozens of times while we wait and hope. So... let's go for an ouzo.

Christina, a mother of two, is enjoying the last days of her vacation in a remote location. A drone begins harassing her, gradually becoming more and more intrusive, until it becomes clearly threatening and leads her on a quest to discover who its operator is.

Savvas is a doorman in a fashionable Athens club, but after years of nightlife he is going through his “midlife crisis” at 30! On Christmas Eve he meets Lia, the daughter of an infamous big businessman, whom Savvas sees as his “other half”. A confirmed atheist up till now, Savvas starts to interpret various coincidences as divine signs. When he decides that Lia’s father is to blame for her S&M proclivities, God arms his hand with a 45mm gun.

Centaurs are creatures from the Greek mythology with a head and torso of a man on the body of a horse. Supposedly, they lived in Greek forests. Some people who believe they really exist are willing to pay large sums for a meeting with them. In Hotel Centaur, located in picturesque surroundings, a group of colourful eccentrics organise a get-together. Young Greek cinema is definitely in a great shape. The story seems to engage in an intriguing dialogue with Jorgos Lanthimos’s films. It is a unique combination of a sublime from, the absurd, the sun and a social satire. The atmosphere and rhythm of the surprising script is intensified by the score composed by sound artist Dimitra Sofroniou.

Lena Platonos, a major figure in the Greek music scene who has proven to be ahead of her time in terms of her groundbreaking work in electronica, is now receiving a surge of international attention, thanks to album re-issues and remixes. Both established and up-and-coming artist cite her as a key influence for her experimentations in sound, her eerie lyrics and her unique, uncompromising approach to creating music and art. With the help of collaborators, friends and international musicians of the electronic music scene such as Alexis Taylor of Hot Chip and the Red Axes, the film goes back to the time her revolutionary records were made.

A young man just released from the army is making great dreams for his life. Finally he gets a job in a butcher's shop and gains the confidence of the owner. After the butcher's death he falls in love with his daughter but also has an affair with the widow and cannot decide between them

Unbeknownst to the 19th-century Greek "primitive" painter Theofilos, other painters around the world at the time were also exploring non-academic subjects, focusing on the everyday lives of ordinary persons. In the U.S., the group of painters who chose such subjects were dubbed "the Ashcan school." Though Theofilos remained unknown in his lifetime, this biographical drama explores the painter's life from his birth on the Isle of Lesbos (Lesvos) in 1868 to the time when he developed his characteristic style, following his discharge from the Greek army.

A sociology professor going through a mid-life crisis resigns from his job, abandons his family and lives isolated in his country house. His only incentive for living is the faded face of an unknown girl in a photograph he had taken in the past and whom he now starts looking for.

1957, Drapetsona, a working-class suburb of Piraeus. Katy feels stifled by her futile, enervating and almost ridiculous day-to-day life. An old dress becomes the pretext for the young girl to attempt what her mother dared not: to claim the right to living and not merely existing, or at least a simple stroll in the port.