In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.

Two friends from a small Greek town travel to Bulgaria and Switzerland, hoping they can gain money from the difference in foreign exchange rates.

Zeynep, Tülin Özen works in a hotel as a housekeeper. But she suffers hell on earth because of her father's behavior. She only talks to Mustafa, 'Engin Dogan' who works in the same hotel and he is interested in Zeynep. She is not interested in Mustafa who is younger than Zeynep, but she is not indifferent to him. While Zeynep is trying to make a bonfire of bad situation, Selçuk, Budak Akalin who lives on the other side of city is a voice technician. He feels guilty after his wife's death. The suitcase which has his wife's dresses changes the Zeynep's destiny.

Spying a lissome young woman standing topless on a nearby balcony, Giorgos (Andreas Barcoulis) climbs up onto a nearby rooftop to get a better look. At a critical moment in his climb, his family and friends call out to him and he falls, suffering a terrible blow to the head. Ineed, at the hospital, the family is told that he is brain dead, and that if they like, his heart can be given to someone else as a transplant. Giorgos' grieving wife (Betty Livanou) agrees to this arrangement. The film now follows the recipient of the dead man's heart (Giorgos Constas), as he wanders all over Greece, driven by his newly lusty heart into the arms of many beautiful women. Eventually he is led to the one woman his new heart truly loved, Giorgios' wife.

Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the uber-controlling parents terrorize their offspring into submission.

Crete 1897. Greek rebels gained their freedom by fighting in the mountains. An allied fleet of French, English, Italian and Russian warships anchored in the port of Chania in protecting Greek and Turkish inhabitants. Rosa Bonaparte, accompanied by twelve girls off at a deserted beach with all the equipment of a Marseille brothel. Installed in a wing of a huge, ruined former Town Hall, where the officers of the allied fleet meet and entertain in the evenings surrounded by undercover agents, military connectors, and speculators : an East-West mosaic of languages, costumes and intrigue ...

Djam, a Greek girl, is sent to Istanbul on a mission to find a motor-boat part of her uncle

A biopic about the rise and fall of one of Greece's most esteemed poets, Napoleon Lapathiotis.

On the day of her birthday, eleven-year-old Angeliki jumps off the balcony and falls to her death with a smile on her face. While the police and Social Services try to discover the reason for this apparent suicide, Angeliki's family keep insisting that it was an accident. What is the secret that young Angeliki took with her? Why does her family persist in trying to "forget" her and to move on with its life?

Katia’s unexpected journey to Istanbul traps her in a chain of adventures enacted on the front of her disrupted childhood. She discovers her mother’s secrets and faces her own inner desires and dilemmas.

An engineer (Nikos Kourkoulos) oversees as a expert the cracks that have suffered a dam. The rumors that want the dam to collapse and drag people, panic the inhabitants of the surrounding area.

The film follows the parallel and entwining stories as well as the common fates of some very different young people for 24 hours in the summertime: from the prison to the corridors of the airport and from the Saronikos beaches to the Psiloritis mountain. The common characteristic of the heroes is that they have inherited from their nefarious parents various problems. In spite of the fact that they used to be neutral, due to specials conditions they will be forced to grow up.

In a country shaken by major political events, three generations of a Greek family clash over an inside-the-family adoption.

Takis is trapped. Takis tries to escape. Takis wants money. He's got a family, a baby, a home... Takis is being cheated. He loves her and he suffers... Takis can't take it at work. He's besieged by savages. But his boss tops them all... Takis has one friend and relatives. Woe is him!... Takis has run out of time. Yet, in his mind, a heavy black cloud has settled, turning everything dark... Takis is silent. He lies down and fills with rage. He fills with rage and sinks deeper...

A cinematic portrait of director Nikos Koundouros, this documentary explores his artistic journey through the voices of renowned Greek artists, tracing the experiences and influences that shaped his visionary work.

Dimitris, a 23 yr. old swimming champion, meets Elsa, a yound environmental activist. Their relation, and her sudden dissaperance, make him re-evaluate his settled life.

The Bastards have left the city behind. Their house in the countryside smells of nothing but summer. Five girls and five boys living in the moment, for the moment. No outsider comes around here, and all the insiders take turns standing guard, kissing each other, playing dead. They are still kids. They are your kids. They are our Bastards.

In a prison cell two lifers meet, a former truck driver and the other one a "volunteer" who entered the prison because he believes that life as an inmate prisoner is better than outside.

By the 14th century, the Byzantine Empire was, if not on the verge of actual collapse, at least seriously decadent and clearly on its last legs. The hungry wolves of Europe were preparing to dine on its corpse, and as a result the Byzantine army and its allies were constantly engaged in battles and skirmishes. In this story, a widow lives in the 14th-century Byzantine village of Doxobus with her son Xenos. She forms a relationship with a village elder, and when she gives birth to the elder’s son, her son from her previous marriage is sent to live in a monastery.

A reporter notices an old man in a border town who may be an important Greek politician who disappeared mysteriously years ago.