UGC Films

A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp.

Joe and Averell are the eldest and youngest of the four Dalton brothers, the worst outlaws in Wild West history...

As far as can be determined, Goha was Tunisia's first entry in the Cannes Film Festival. Omar Sharif stars as a naïve young man who is taken for granted by friends and family. Little do they know that he has more intelligence, tenacity and imagination than all of them put together. The story takes an unexpectedly dramatic turn when the man falls in love with the young wife of his village's elderly "wise man". Based on an ancient Tunisian folk tale, Goha boasts impressive production values and sure-handed direction (by Jacques Baratier).

Sarah, the wife of a theater director, decides to leave her mutt of a husband because she is tired of his morbid fantasies. It is true that Baptiste has a rather unstable troupe that rehearses horror plays in a dance hall. Sarah comes out of the wings for life, but it turns out to be as incongruous and phantasmagorical as her husband's plays. This is why she returns to him. "The real grand guignol is life. The other is the farce."

A man helps the victim of an auto accident, not realizing that the man has actually been shot. The men who shot him are now after the man who helped him, in order to eliminate him as a potential witness. Soon they are killing everyone he even comes in contact with in order to get him.

In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.

An insurance investigator meets an attractive woman in a hotel on his way to check out the causes of a fire that destroyed a movie set.

Marthe, an aging queen of the night, roams the streets of a city haunted by the presence of an invisible murderer in search of money to pay a large gambling debt.

Paula Barretto (Juliet Berto) is caught in the underworld because her father was involved in the drug business, her brother is in the real estate scam, and her lover is an armed thief. Although she tries to get out of her corrupt and dangerous environment, it is not an easy task when even the police officers cannot be trusted, and the underworld has informants everywhere.

As she does every morning, Lucie takes advantage of her journey to work to lose herself for a while in the pages of a good book. And as she does every morning, she joins her colleagues at the office with a smile. It's a working day just like any other. Then suddenly all activity in the office stops. All attention is turned towards the window of the opposite building opposite and abanner reading: Man Alone. Is it a hoax? A cry for help? Everyone has his own interpretation, and will try, by any means possible, to discover what lies behind this mysterious message.

The film is set in Marais, a quiet region along the banks of Loire river in 1918. Riton is afflicted with a bad-tempered wife and three unruly children. Garris lives alone with his recollections of World War I trenches. Their daily life consists of seasonal work and visits from their two pals: Tane, the local train conductor and Amédée, a dreamer and voracious reader of classics.

Polina is a young dancer from a modest family. After years of ballet academy, she is accepted by the Bolshoi; still, she decides to try and audition of a modern dance company in France. She makes it, but her journey will not end there...

Lucky Jo and his three friends are little criminals, who try to live from small burglaries. But they never have luck - ever so often something inpredictable happens to Jo and gets one of them arrested. While Jo is in prison once again, they decide they'd better do without him in future. He decides to help them secretly...and unfortunately.

Set against the backdrop of an increasingly violent strike, a worker falls in love with the middle-class daughter of his landlady.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

In North Africa, an anguished husband tests the character of the doctor he believes is responsible for his wife’s death.

Hopes and love and ambitions and friendship in a group of young jazz-loving Parisians.

A terminally ill Mr. Bard, a casino bus driver forced to quit his job, miraculously wins a fortune playing roulette. Instantly becoming a millionaire, he wants to fulfill his life's dream: to become a father. This plan is opposed by his greedy relatives who would go any low to take this money away from him. They are being led by a small-time crook. Mr. Bard's natural shyness and good heart lead him to the journey of self-exploration and finding his true love.

Once upon a time, somewhere... a homeless guy finds a policeman's uniform...

Fearless gunslinger, Lucky Luke, is ordered by the President to bring peace to Daisy Town.