Two friends, Cigo and Max, are traveling to the seaside in an old car that Max inherited from his late grandpa. What begins as a trip to the seaside takes some weird and unforeseen turns.

A Foundation reporter, Isidor Dukas comes to the Institute to make a report. For the purpose of objective reporting, the Foundation uses agents with induced, synthetic identities. In confrontation with one of the test subjects, what was supposed to be a routine control turns into a never ending maze.

Maja and Alen live in a dilapidated apartment on the outskirts of the city. Even if they wanted more from life, they don't have much hope because the company Maja works for is in debt and doesn't pay their salaries, while Alen, who works from home, has less and less work. That is why they start their own business whose survival is put in question when Maja discovers that security cameras will soon be installed in her company.

Envolves around the mysterious death of a female librarian.

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).

The dog Hux Flux is diagnosed with cancer. His vet found herself in the middle of intimate home atmosphere with his owners, friends and other pets in their household at this critical life period. The vet made this film.

A short film about a cat drinking milk set to the song "Popcorn" by Gershon Kingsley.

A cat trying to nap.

An audiovisual weave in which an animated line represents the warp, while the female voice represents the filling. She who weaves and that what is woven intertwine through time.

Reptiloid starring Marin Mandir, Goran Kramaric, and Goran Dujmic. A giant, Komodo dragon-like lizard is hunting a police officer in the middle of a forest.

Unencumbered by a professional education and open to new ideas, Vladimir Petek (b. 1940) was energetically exploring in the 1960s what film could do as a medium if used in nonstandard ways. In his early works, the obsession with the medium was connected to his youthful delight with female beauty, and Petek created some of the most striking portrait films in Croatian cinema, which might be seen as the more filmically inventive cousins of the Screen Tests that Andy Warhol started doing in 1964 to explore film’s seemingly innate ability to turn almost anyone into a "star." Encounter offers a portrait of a woman (Ksenija Filipović, his then-girlfriend) whose face becomes mysterious, desirable, and endlessly captivating on film, all the more so because of Petek’s various interventions in the film stock.

Milan Šamec was a member of conservative stream in the Zagreb Cine Club, the one that denied and mocked the “anti-film”. Termites were made as an absurd demonstration that anyone can make an experimental film. He took the film, exposed it unevenly, and called the dance of visual stains that resulted — termites, because that’s what they reminded him of.

An experimental staged documentary.

First breath is a decision. Each subsequent breath is a struggle for a goal still not in sight. A struggle for life. He is a former professional runner. A marathon runner. He reveals his suffering, pain and effort which are crucial elements of each and every race.

Kec, an amateur boxer, prepares for a tournanametn, dutifuly performing the tasks given to him by his coach.

To this small shift in one of many Microcosms, I willingly engrave meaning, using mythology. Myth as a metaphor, or as a means of destruction of every fright that might cross in.

The original anti-film. In the film, there are scenes of streets of Zagreb taken by author with a hand-held camera turned backwards, having no control over the content of filming. The filmmaker subsequently produced the concrete music. Such “planned coincidence” of filmmaking became a polemic thorn in side of the documentary tradition of Croatian cinema.

Short by Mihovil Pansini.

Short by Mihovil Pansini.

The film shows Josip Vaništa's eerie paintings.