Centre National du Cinéma

Antoine Rethel, a police inspector, meets a young woman to whom he has just prevented a traffic accident.To thank him, she invites him to drink at her house.She commits suicide a few moments later in the bathroom with her service weapon.Antoine swears to himself that he won't say a word about this dirty story and returns home. The next day, driven by curiosity, he decides to return to the scene of the tragedy...surprise, the corpse is no longer there...Antoine is not at the end of his troubles...the next day, he returns to the house and discovers another corpse in the bathtub...little by little, he sinks into a crazy story full of murders...He must hurry to elucidate the murders before it's too late.

A film about the difficulty for even the most well-intentioned person to know and respect another culture. In this case, the problem is so acute that there is even heated debate over what to call that 'other.' The subtitles in the film use the familiar word 'pygmies,' a relatively pejorative European term; the Bantu or villagers' expression for the same group, Babingas, carries similar negative connotations. These highly specialized, tropical rainforest hunter-gatherers should perhaps be called by their own ethnonym, Aka, MoAka (sing.) and BaAka (pl.)

A sensitively look at a grandmother, who embodies cultural, familly and social values.

The life and work of French naturalist-scientist-priest Père Armand David, living as a missionary in China, who is thought to be the first Westerner ever to lay eyes on a wild panda as he was documenting species of Chinese flora and fauna.