Les Films Fauves

When the mysterious woman in the room next door disappears, a debonair 70-year-old ex-spy living in a luxury hotel on the Côte d'Azur is confronted by the demons and darlings of a lurid past in which moviemaking, memories and madness collide.

Vincent works the night shift on the construction site of a futuristic district. When a worker goes missing, Vincent and his colleagues suspect that their superiors are covering up an accident. But soon another worker disappears.

While creating SHE IS CONANN, Bertrand Mandico also filmed two short films simultaneously to create an entire "Barbarian Cycle" that brings you deeper into the world that Mandico has created. Presented in this program are: Rainer, A Vicious Dog in a Skull Valley (26min); Apocalypse After (35min); and We Barbarians (27min).

Jessica Comley is an American agent of the U.S. Border Patrol on the Arizona-Mexico border. In this unforgiving desert, she is proud and determined to defend America against drug traffickers and illegal immigrants by any means necessary. But her relentless pushing of the limits leads to one of her interventions going awry when she kills a harmless migrant in front of three witnesses: her colleague, who tries to cover the crime, and a Native American with his grandson. Faced with the authorities, it's her word against theirs.

Although Dayao's farm is the only thing that matters to him - he lives there with his aging mother, Guei-Hua, and his wife - he travels to a nearby town with her every day to work. Pregnant, Tian-Tian insists on buying an apartment and raising their baby there, as the only way for them to escape poverty and for her to emancipate herself from men. When hundreds of tons of concrete fall on him at the construction site where he works, Dayao miraculously escapes... but loses his speech and his mind. He is now a five-year-old child.

The story revolves around a hypnotist who falls in love with someone who is not necessarily meant for him.

In Mumbai, Nurse Prabha's routine is troubled when she receives an unexpected gift from her estranged husband. Her younger roommate, Anu, tries in vain to find a spot in the city to be intimate with her boyfriend. A trip to a beach town allows them to find a space for their desires to manifest.

Dora, a young girl with physical and mental illness, finds healing through love, overcoming love and hate, revealing moments of fascination.

Wang Bing concludes his monumental Youth trilogy in expansive fashion, giving ever wider scope to the lives of migrant workers in Zhili’s textile factories as they plan to go to their remote hometowns to visit their families and celebrate the festivities for New Year’s break.

In this enveloping second part of the Youth trilogy, shot between 2015 and 2019, Wang Bing deepens his vérité portrait of a generation struggling to survive on meager wages amidst a nation’s economic expansion, emphasizing the distrustful, increasingly combative relationship between workers and management.

This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.

Single mother Elaine is disturbed by her son Martin's aggressive behaviour, she visits his late father's estranged family in small-town Luxembourg, which hides a much darker nature. When she realizes that Martin could become like them, Elaine is forced into a desperate fight for her son's future.

On the set of a film in the making, four actresses take turns guiding us. They unknowingly drag us into their damnation.

After Margaret, a divorcée living in Dublin, loses her teenage son, she develops an unorthodox relationship with Joe, a homeless youth. Their tentative trust is threatened by his involvement with a violent gang and the escalation of her ex-husband's grieving rage.

A meticulous ambulance driver working in poverty-stricken Bucharest, who takes part in an armed robbery together with three men he barely knows. As the robbery ends in disaster, Bogdan starts a thorough, almost compulsive investigation to dig up the true identities of his accomplices, but the more he discovers, the deeper he sinks into a spiral of fear and paranoia.

This project is developing around Japanese art history and literature references (The Fukinuki Yatai, The Tale of Genji, The Pillow Book) and unfolds as a great sensory fresco with strong emotional potential. A heterogeneous collection of drawn, animated and sound scenes are taken from the digital material; they recreate a sort of subjective world (inner and outer world) in the form of a labyrinth composed of fractal architectures.

Jeanne, a shy young woman, works as a night guard at an amusement park and has a close relationship with her mother. While no man can compete with this opposed duo, Jeanne begins to develop strange romantic feelings for Jumbo, the latest attraction at the theme park...

Orphan, Oskar lives with Elvis and Fanny Egger, his guardians. Oskar is waiting for one thing, the majority, to finally be able to go to Zimbabwe and start a new life. While Oskar strives to raise money to get there, Elvis takes Oskar's success and makes it cost him to graduate. The balance of power is becoming more and more tense, swinging into a violence that will push Oskar to definitively abandon childhood, and Elvis, to fall the mask of his ambition and his madness.

Strahinja and his wife Ababuo left Ghana with a dream of a better life in Europe. Instead of reaching the western part of the continent, they were deported back to Serbia. Strahinja has started to build himself a career, while Ababuo is unable to fulfil her ambitions and she feels increasingly frustrated. When she disappears one day, Strahinja sets out to find her… A crystal clear, humanistic story about the need to find one’s place in the world. It’s also a tale of love, the most profound testimony of which might also be the most painful.

Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration.