Multimedia Film und Fernseh

A gripping and intense thriller about honour, loyalty, and the courage to fight for what you believe.

Not Rome, Paris or Florence - the 11c class trip goes to the “spectacular” Sauerland. Nessie, the class representative, is to blame for this; she chose the desolate destination. It's clear that something like this doesn't go without consequences: As soon as he arrives at the country school, the newcomer Erik reveals the secret about Nessie's "full" breasts in front of the entire team. The receipt comes promptly: Nessie gives him a bloody nose and starts a campaign of revenge with her friend Tobi...

What does being a Jew mean nowadays? Emanuel Goldfarb, a Jewish journalist, is asked by the Director of a Jewish community in Germany, to respond to an invitation by a professor to tell his pupils about his life as a Jew living in Germany. This conversation, performed by Goldfarb and the Director of the community, is the only scene of Oliver Hirschbiegel's film « Ein ganz gewohnlicher Jude » presented at the Film and Television Festival of Genève, which was shot outdoors and it's the only moment where something apparently happens.

An aging actress hires a cameraman on the street and makes a life confession to him. In a 90-minute monologue, she describes the highs and lows of her career and life before setting off towards new horizons.

In this film, Dammbeck explores his own decision to relocate to Hamburg, West Germany, and tries to sort out his past as an artist. In the process, he interviews artists Cornelia Schleime, Hans-Hendrik Grimmling, and Hans Scheib, who had been core members of the alternative art scene in East Germany. They had all worked together in the 8mm scene and organized or planned multimedia and crossover exhibitions, including Tangents I in 1976-77 and the First Leipzig Autumn Salon in 1984. Each left for West Germany in the mid-1980s. What has become of their former artistic strategies and positions? How do they deal with their past? What is the force behind their art now? And how do they cope with the western art market?

The mining industry, which always had been “sponsor” and “financier” of the soccer clubs in the Ruhr valley during the post-war period, doesn’t exist anymore nowadays in that form. Many of the once glorious clubs which dominated German soccer until the 1970s faded into obscurity without financial backers. The documentary “Im Westen ging die Sonne auf" ("The sun had risen in the west“) shows the history of the “Revierfußball” from after the second World War until the decline of the mining industry and recalls legendary players and forgotten clubs. The film shows especially how deeply rooted the sport was back then in the entire lifestyle of the Ruhr area - in private life as well as in society - and how structural change also left clearly visible marks in sports. With pictures from back then, interviews with contemporary witnesses, and footage of original locations nowadays, a contemporary document of German post-war history, by taking the example of soccer, has been created.