Heymann Brothers Films

The story of Ohad Naharin, renowned choreographer and artistic director of the Batsheva Dance Company, an artistic genius who redefined the language of modern dance.

Angelina-Duah Fares, a Druze woman, attempts to enter the Israeli fashion world, but traditions clash with her efforts to choose her way in life.

Seventy years after his grandfather escapes from Nazi Germany to Palestine, Israeli documentary director Tomer Heymann returns to the country of his ancestors to present his film "Paper Dolls" at the Berlin International Film Festival, and there meets a man who will change his life. This 48-hour love affair, originating in Berghain Panorama Bar, develops into a significant relationship between Tomer and Andreas Merk, a German dancer.

A fascinating journey through the life of Israeli artist Dani Karavan, an irreverent and charismatic creator, recognized worldwide for radically transforming public space with his monumental environmental installations.

Saar is an HIV positive gay man living in London, where he found refuge from the religious kibbutz where he grew up in Israel. Ever since he was diagnosed with HIV, Saar has craved his family's love, while they struggle with fears and prejudices.

Stalags were pocket books whose plots revealed lusty female SS officers sexually abusing camp prisoners. During the 1960s, parallel to the trial held against Nazi war criminal Adolf Eichmann, sales of this pornographic literature broke all records in Israel and hundreds of thousands of copies were sold at kiosks. The popularity of the Stalags only declined after a much-reported trial, in which their authors were accused of distributing anti-Semitic pornography. This film examines the notorious phenomenon, exposing the creators of this genre for the first time. It posits that the combination of pornography and the Holocaust also appears in canonic Holocaust literature and continues to be a widespread part of the representation of the Holocaust in Israel today.

Twenty-six years after the iconic “Orna and Ella” restaurant opened in Tel Aviv, having become a celebrated culinary institution, Orna Agmon and Ella Shine decided to close their shared life’s work. During the restaurant’s final week, director Tomer Heymann—who worked there for six years and for whom it was much more than just a workplace—documents the intense dynamics of the last days. Farewells to customers, recipes, and staff spark intimate and once-in-a-lifetime conversations. The film reveals the complex relationship between these two groundbreaking women through a spectrum of powerful emotions: love, dependence, conflicting desires, and fears. It boldly raises questions about self-fulfillment, the cost of freedom, and nostalgia for an era that will never return.

Oren Levi is struggling to find his place in the world. Born in Guatemala and adopted by an Israeli couple as a baby, Oren had a troublesome childhood despite all the love and support of his family. Misdiagnosed with autism and mental illness, put into a psychiatric ward after a suicide attempt, he found it even harder to connect with the world that labelled him as “not normal” in many different ways. One day, armed with a simple video camera, Oren embarks on a journey to meet his biological parents and things begin to change. Tomer Heymann’s film tells a compelling story of a young man coming-of-age and discovering his true self among different landscapes, cultures and languages.

Rabbi Capoeira reveals a dramatic and unknown occurrence in the heart of Bnei Brak, the largest ultra-Orthodox city in Israel. The hero of the film is the Capoeira champion of the Mediterranean. He is an ultra-orthodox man whose life was saved by Capoeira, who wants to revolutionize his beloved society, despite the strong criticism he has towards it. Together with his dream partner, a brave ultra-Orthodox woman with a tough life story of her own, he fights like a lion and is not ready to take no for an answer.

Sayed Kashua always feels he doesn't belong. The Jews don't like him because he's an Arab. The Arabs don't like him because he's successful. The Arabs think he's a collaborator. The Jews think he's a drunk. He is always viewed as an Other, and he's always scared.